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Combined SERS and Raman analysis for the identification of red pigments in cross-sections from historic oil paintings
16 references·10 citing·30 second hop
Combined SERS and Raman analysis for the identification of red pigments in cross-sections from historic oil paintings (2014)Combined SERS and Raman analysis for the …Silver colloidal pastes for dye analysis of reference and historical textile fibers using direct, extractionless, non-hydrolysis surface-enhanced Raman spectroscopy (2013)Silver colloidal pastes for d…Conservation of Easel Paintings (2013)Conservation of Easel Paintin…Sample Treatment Considerations in the Analysis of Organic Colorants by Surface-Enhanced Raman Scattering (2012)Sample Treatment Consideratio…Revealing the invisible: using surface‐enhanced Raman spectroscopy to identify minute remnants of color in Winslow Homer's colorless skies (2011)Revealing the invisible: usin…Historical organic dyes: a surface‐enhanced Raman scattering (SERS) spectral database on Ag Lee–Meisel colloids aggregated by NaClO4 (2011)Historical organic dyes: a su…Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)Identification of Organic Col…Extractionless non‐hydrolysis surface‐enhanced Raman spectroscopic detection of historical mordant dyes on textile fibers (2010)Extractionless non‐hydrolysis…Surface-Enhanced Raman Spectroscopy: A Direct Method to Identify Colorants in Various Artist Media (2009)Surface-Enhanced Raman Spectr…Ad-hoc Surface-Enhanced Raman Spectroscopy Methodologies for the Detection of Artist Dyestuffs: Thin Layer Chromatography-Surface Enhanced Raman Spectroscopy and in Situ On the Fiber Analysis (2009)Ad-hoc Surface-Enhanced Raman…ATR-FTIR imaging for the analysis of organic materials in paint cross sections: case studies on paint samples from the National Gallery, London (2008)ATR-FTIR imaging for the anal…Raman identification of yellow synthetic organic pigments in modern and contemporary paintings: Reference spectra and case studies (2007)Raman identification of yello…Attenuated Total Reflection–Fourier transform infrared microspectroscopic mapping for the characterisation of paint cross-sections (2007)Attenuated Total Reflection–F…Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art (2006)Application of surface‐enhanc…Imaging Secondary Ion Mass Spectrometry of a Paint Cross Section Taken from an Early Netherlandish Painting by Rogier van der Weyden (2004)Imaging Secondary Ion Mass Sp…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…Uncovering Art’s Vanishing Hues with Surface-Enhanced Raman Scattering: Drawing Inspiration from the Past for the Future (2024)Uncovering Art’s Vanishing Hu…Swab-based minimally invasive analysis of synthetic organic dyes using flexible paper-based SERS substrates: A case study of Chinese New Year paintings (2022)Swab-based minimally invasive…SERS procedure using photoreduced substrates and reflection FTIR spectroscopy for the study of natural organic colourants (2020)SERS procedure using photored…Review—Electrochemical and SERS Sensors for Cultural Heritage Diagnostics and Conservation: Recent Advances and Prospects (2020)Review—Electrochemical and SE…Surface enhanced Raman scattering of inorganic microcrystalline art pigments for systematic cultural heritage studies (2019)Surface enhanced Raman scatte…Spectroscopic Differentiation and Microscopic Imaging of Red Organic Pigments Using Optical Pump–Probe Contrast (2018)Spectroscopic Differentiation…Nanotechnologies and Nanomaterials (2018)Nanotechnologies and Nanomate…A multi-analytical study of the Belarusian icon “Virgin Eleusa” (XVII cent.) (2017)A multi-analytical study of t…Surface-Enhanced Raman Spectroscopy: Using Nanoparticles to Detect Trace Amounts of Colorants in Works of Art (2016)Surface-Enhanced Raman Spectr…Optimizing use of the structural chemical analyser (variable pressure FESEM‐EDX raman spectroscopy) on micro‐size complex historical paintings characterization (2015)Optimizing use of the structu…High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Surface‐enhanced Raman spectroscopy in art and archaeology (2015)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Analytical methods for determination of anthraquinone dyes in historical textiles: A review (2019)The Organic Chemistry of Museum Objects (1988)Raman spectroscopic study of the basic copper sulphates—implications for copper corrosion and ‘bronze disease’ (2003)The Characterization of Metal Soaps (2003)Imaging Mass Spectrometry with a Low‐Temperature Plasma Probe for the Analysis of Works of Art (2010)Cultural heritage and archaeology materials studied by synchrotron spectroscopy and imaging (2011)Lead soaps in paintings: Friends or foes? 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this work references cited by second hop

References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2010Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy325 cited
  • 2006Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art244 cited
  • 2013Conservation of Easel Paintings184 cited
  • 2009Ad-hoc Surface-Enhanced Raman Spectroscopy Methodologies for the Detection of Artist Dyestuffs: Thin Layer Chromatography-Surface Enhanced Raman Spectroscopy and in Situ On the Fiber Analysis171 cited
  • 2008ATR-FTIR imaging for the analysis of organic materials in paint cross sections: case studies on paint samples from the National Gallery, London127 cited
  • 2009Surface-Enhanced Raman Spectroscopy: A Direct Method to Identify Colorants in Various Artist Media122 cited
  • 2012Sample Treatment Considerations in the Analysis of Organic Colorants by Surface-Enhanced Raman Scattering121 cited
  • 2011Historical organic dyes: a surface‐enhanced Raman scattering (SERS) spectral database on Ag Lee–Meisel colloids aggregated by NaClO4118 cited
  • 2007Raman identification of yellow synthetic organic pigments in modern and contemporary paintings: Reference spectra and case studies107 cited
  • 2004Imaging Secondary Ion Mass Spectrometry of a Paint Cross Section Taken from an Early Netherlandish Painting by Rogier van der Weyden

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99 cited
  • 2010Extractionless non‐hydrolysis surface‐enhanced Raman spectroscopic detection of historical mordant dyes on textile fibers93 cited
  • 2011Revealing the invisible: using surface‐enhanced Raman spectroscopy to identify minute remnants of color in Winslow Homer's colorless skies89 cited
  • 2007Attenuated Total Reflection–Fourier transform infrared microspectroscopic mapping for the characterisation of paint cross-sections84 cited
  • 2013Silver colloidal pastes for dye analysis of reference and historical textile fibers using direct, extractionless, non-hydrolysis surface-enhanced Raman spectroscopy81 cited
  • Cited by

    • 2020Review—Electrochemical and SERS Sensors for Cultural Heritage Diagnostics and Conservation: Recent Advances and Prospects30 cited
    • 2018Nanotechnologies and Nanomaterials26 cited
    • 2016Surface-Enhanced Raman Spectroscopy: Using Nanoparticles to Detect Trace Amounts of Colorants in Works of Art18 cited
    • 2019Surface enhanced Raman scattering of inorganic microcrystalline art pigments for systematic cultural heritage studies17 cited
    • 2017A multi-analytical study of the Belarusian icon “Virgin Eleusa” (XVII cent.)15 cited
    • 2015Optimizing use of the structural chemical analyser (variable pressure FESEM‐EDX raman spectroscopy) on micro‐size complex historical paintings characterization14 cited
    • 2024Uncovering Art’s Vanishing Hues with Surface-Enhanced Raman Scattering: Drawing Inspiration from the Past for the Future11 cited
    • 2022Swab-based minimally invasive analysis of synthetic organic dyes using flexible paper-based SERS substrates: A case study of Chinese New Year paintings10 cited
    • 2020SERS procedure using photoreduced substrates and reflection FTIR spectroscopy for the study of natural organic colourants10 cited
    • 2018Spectroscopic Differentiation and Microscopic Imaging of Red Organic Pigments Using Optical Pump–Probe Contrast9 cited