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The Animal Apparatus: From a Theory of Animal Acting to an Ethics of Animal Acts
2 references·10 citing·40 second hop
The Animal Apparatus: From a Theory of Animal Acting to an Ethics of Animal Acts (2007)The Animal Apparatus: From a Theory of An…The Postmodern Animal (2000)The Postmodern AnimalThe Cinematic Apparatus (1981)The Cinematic ApparatusBeyond resistance: Geographies of divergent more-than-human conduct in robotic milking (2019)Beyond resistance: Geographie…“Dwindling Down to Farce”?: Aphra Behn’s Approach to Farce in the late 1670s and 80s (2019)“Dwindling Down to Farce”?: A…Introduction: real animals on the stage (2018)Introduction: real animals on…Introduction (2015)Introduction“There Is No Wild” (2015)“There Is No Wild”Assessing creativity of design projects: criteria for the service engineering field (2013)Assessing creativity of desig…Investigating the Patterns of Value-Oriented Innovations in Blue Ocean Strategy (2012)Investigating the Patterns of…‘Never Work with Children and Animals’: Risk, mistake and the real in performance (2010)‘Never Work with Children and…“Of All Nonsensical Things”: Performance and Animal Life (2009)“Of All Nonsensical Things”: …Against the Image: Herzog and the Troubling Politics of the Screen Animal (2008)Against the Image: Herzog and…Television: Technology and Cultural Form (1974)Le signifiant imaginaire (1975)Magic Mirrors and the Seria Stage: Thoughts toward a Ritual View (1995)McKinley at Home: How Early American Cinema Made News (1999)Distribution and Media Flows (2005)Blue ocean strategy : how to create uncontested market space and make the competition irrelevant (2005)Blue Ocean Strategy: How to Create Uncontested Market Space and Make the Competition Irrelevant (2006)RETRACTED ARTICLE: The Nature of Creativity (2006)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)The Companion Species Manifesto : Dogs, People, and Significant Otherness (2003)From Homo Performans to Interspecies Collaboration (2015)The Ethics of Interspecies Performance: Empathy beyond Analogy in Fevered Sleep's Sheep Pig Goat (2019)Risk Society: Towards a New Modernity (1993)Risk Society, Towards a New Modernity (1994)Trust: The Social Virtues and the Creation of Prosperity (1996)Children, Performance and Ecology (2018)Cinema 1: The Movement-Image (1987)The Third Eye (1996)The Animal That Therefore I Am (2010)Why Look at Dead Animals? (2016)Seeing Beings: “Dog” Looks Back at “God”: Unfixing Canis familiaris in Kornél Mundruczó’s Film Fehér isten/White God (2014) (2017)Value creation in E‐business (2001)The role of the business model in capturing value from innovation: evidence from Xerox Corporation's technology spin-off companies (2002)Business Models, Business Strategy and Innovation (2009)Discourse and Social Change. (1993)Anthropomorphism, anecdotes, and animals. (1997)Staging Tourism: Bodies on Display from Waikiki to Sea World (1999)Animal Rites: American Culture, the Discourse of Species, and Posthumanist Theory (2003)Brutal Reasoning (2006)Stage Fright, Animals, and Other Theatrical Problems (2006)Simians, Cyborgs and Women: The Reinvention of Nature (1992)Reassembling the social: An introduction to actor‐network‐theory (2008)Staying with the trouble: making kin in the Chthulucene (2017)A review of social science on digital agriculture, smart farming and agriculture 4.0: New contributions and a future research agenda (2019)Animal geographies II: Killing and caring (in times of crisis) (2020)Global sustainable agriculture and land management systems (2024)Modernism, Narrative and Humanism (2002)Human, All Too Human: “Animal Studies” and the Humanities (2009)A Report on the Animal Turn (2010)
this work references cited by second hop

References

  • 2000The Postmodern Animal196 cited
  • 1981The Cinematic Apparatus81 cited

Cited by

  • 2019Beyond resistance: Geographies of divergent more-than-human conduct in robotic milking117 cited
  • 2012Investigating the Patterns of Value-Oriented Innovations in Blue Ocean Strategy24 cited
  • 2008Against the Image: Herzog and the Troubling Politics of the Screen Animal17 cited
  • 2009“Of All Nonsensical Things”: Performance and Animal Life13 cited
  • 2010‘Never Work with Children and Animals’: Risk, mistake and the real in performance10 cited
  • 2013Assessing creativity of design projects: criteria for the service engineering field10 cited
  • 2015“There Is No Wild”7 cited
  • 2018Introduction: real animals on the stage4 cited
  • 2015Introduction4 cited
  • 2019“Dwindling Down to Farce”?: Aphra Behn’s Approach to Farce in the late 1670s and 80s2 cited

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