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Orality and Literacy in the Transmission of JapaneseTōgaku: Its Past and Present
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Orality and Literacy in the Transmission of JapaneseTōgaku: Its Past and Present (2011)Orality and Literacy in the Transmission …The Ashgate research companion to Japanese music (2009)The Ashgate research companio…The study of ethnomusicology: thirty-one issues and concepts (2006)The study of ethnomusicology:…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…No nonsense: The logic and power of acoustic‐iconic mnemonic systems (2000)No nonsense: The logic and po…Music from the Tang Court (2000)Music from the Tang CourtKnowing Music, Making Music: Javanese Gamelan and the Theory of Musical Competence and Interaction (1997)Knowing Music, Making Music: …Knowing Music, Making Music: Javanese Gamelan and the Theory of Musical Competence and Interaction (1996)Knowing Music, Making Music: …Ethnomusicology: an introduction (1993)Ethnomusicology: an introduct…The oral and the literate in music (1986)The oral and the literate in …Togaku: Where Have the Tang Melodies Gone, and Where Have the New Melodies Come from? (1985)Togaku: Where Have the Tang M…The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1985)The Study of Ethnomusicology:…Murasaki Shikibu, The Tale of Genji. Translated by Edward G. Seidensticker. Alfred A. Knopf, New York, 1977. (1978)Murasaki Shikibu, The Tale of…A History of Japanese Music (1974)A History of Japanese MusicThe New Grove Dictionary of Music and Musicians (1981)The New Grove Dictionary of Music and Musicians. Stanley Sadie (1983)Acoustic and Perceptual Comparison of Speech and Drum Sounds in the North Indian Tabla Tradition: An Empirical Study of Sound Symbolism (2003)The Voice in the Drum: Music, Language, and Emotion in Islamicate South Asia (2014)Seeing the invisible: Theorising connections between informal and formal musical knowledge (2019)Can improvisation be ‘taught’?: A call for free improvisation in our schools (2009)Universals in the world’s musics (2011)Ethnomusicology in Times of Trouble (2014)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)The singing Neanderthals: The origins of music, language, mind, and body (2006)Reputation in a Musical Scene: The Everyday Context of Connections between Music, Identity and Politics (1998)Agency, Leadership, and Gender Negotiation in Balinese Girls’ Gamelans (2010)String quartets as self-managed teams: An interdisciplinary perspective (2010)A Musical Time Capsule from Java (1993)Western Art Music in Japan: A Success Story? (2013)Unsafe suppositions? Cutting across cultures on questions of music's transmission (2001)The Individual in Musical Ethnography (2012)On playing by ear (1996)Foundations for an anthropology of the senses (1997)Music for dreaming: Aboriginal lullabies in the Yanyuwa community at Borroloola, Northern Territory (1999)Psychology for Musicians (2007)The Social Life of Musical Instruments (2012)Vocal performance in the seventeenth century (2012)Bi-musicality in modern Japanese culture (2012)Alan Lomax’s Cantometrics Project (2018)The Cambridge History of Sixteenth-Century Music (2019)
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References

  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1985The Study of Ethnomusicology: Twenty-Nine Issues and Concepts515 cited
  • 2006The study of ethnomusicology: thirty-one issues and concepts504 cited
  • 1993Ethnomusicology: an introduction250 cited
  • 1986The oral and the literate in music117 cited
  • 1996Knowing Music, Making Music: Javanese Gamelan and the Theory of Musical Competence and Interaction107 cited
  • 2009The Ashgate research companion to Japanese music84 cited
  • 1997Knowing Music, Making Music: Javanese Gamelan and the Theory of Musical Competence and Interaction72 cited
  • 2000No nonsense: The logic and power of acoustic‐iconic mnemonic systems60 cited
  • 1974A History of Japanese Music40 cited
  • 1985Togaku: Where Have the Tang Melodies Gone, and Where Have the New Melodies Come from?27 cited
  • 1978Murasaki Shikibu, The Tale of Genji. Translated by Edward G. Seidensticker. Alfred A. Knopf, New York, 1977.24 cited
  • 2000Music from the Tang Court18 cited

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