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Identification of pigments used on late 17th century Albanian icons by total reflection X-ray fluorescence and Raman microscopy

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References

2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
1995Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2455 cited
2002Pigment identification by spectroscopic means: an arts/science interface183 cited
2000Analysis of pigments and inks on oil paintings and historical manuscripts using total reflection x-ray fluorescence spectrometry103 cited
2002An extensive non‐destructive and micro‐spectroscopic study of two post‐Byzantine overpainted icons of the 16th century89 cited
2003Raman microscopy of Greek icons: identification of unusual pigments70 cited
1993Analytical characterization of artists' pigments used in old and modern paintings by total-reflection X-ray fluorescence52 cited

Cited by

2008ANALYSIS OF NASRID POLYCHROME CARPENTRY AT THE HALL OF THE MEXUAR PALACE, ALHAMBRA COMPLEX (GRANADA, SPAIN), COMBINING MICROSCOPIC, CHROMATOGRAPHIC AND SPECTROSCOPIC METHODS*†39 cited
2013Wall paintings studied using Raman spectroscopy: A comparative study between various assays of cross sections and external layers39 cited
2008Characterization of paint and varnish on a medieval Coptic-Byzantine icon: Novel usage of dammar resin32 cited
2016A new approach to the determination of the synthetic or natural origin of red pigments through spectroscopic analysis

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32 cited

2012A study of 18th century Coptic icons of Ibrahim Al-Nasekh using Raman microscopy and gas chromatography–mass spectrometry: Indigo as an organic pigment in Egyptian panel paintings29 cited

2015On The Grounds Of Post‐Byzantine Greek Icons22 cited

2013Non-invasive analytical techniques applied to characterize the components of ancient golden medallions21 cited

2017Gildings from Andalusia: Materials used in different types of artworks along centuries19 cited

2020The altar wall paintings of the catholicon “The Nativity of the Virgin”, Rila Monastery, Bulgaria: Identification of the painting materials by means of vibrational spectroscopic techniques complemented by EDX, XRD and TGA analysis15 cited

2013Mineralogical Characterization of the Polychrome in Cultural Heritage Artifacts (Antiquity to Date) from Southern Spain Using Micro-Raman Spectroscopy and Complementary Techniques15 cited

2011Two Byzantine Albanian icons: a non-destructive archaeometric study14 cited

2008Total reflection X-ray fluorescence and archaeometry: Application in the Argentinean cultural heritage14 cited

2019The role of analytical chemists in the research on the cultural heritage12 cited

2014Identification of Green Pigment Used in Persian Wall Paintings ( ad 1501-1736) Using PLM, FT-IR, SEM/EDX and GC-MS Techniques12 cited

2025Orthodox Religious Art of South Albania from the 16th to the 19th Centuries1 cited