Painterly abstraction in modernist American poetry: the contemporaneity of modernism

Abstract

1. It must be abstract 2. Self-subsuming artifacts: the logic of constructivist abstraction 3. Knowledge enormous denies the god in me: abstraction and the Romantic tradition 4. Modernist irony and the Kantian heritage 5. Eliot's Symbolists subject as end and beginning 6. 'The abstraction of the artist': three painterly models for the constructivist will 7. Modes of abstraction in Modernist poetry 8. Modernist abstraction and Pound's first Cantos: the ethos for a new Renaissance 9. Why Stevens must be abstract 10. Afterword: the end(s) of Modernism.

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