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Bringing It All Back Home: The Influence of Irish Music
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Bringing It All Back Home: The Influence of Irish Music (1994)Bringing It All Back Home: The Influence …Informal Learning in Music in the Irish Secondary School Context. (2009)Informal Learning in Music in…Irish scene and sound : identity, authenticity and transnationality among young musicians (2005)Irish scene and sound : ident…Becoming Irish or Becoming Irish Music? Boundary Construction in Irish Music Communities (2001)Becoming Irish or Becoming Ir…Becoming Irish or Becoming Irish Music? Boundary Construction in Irish Music Communities (2001)Becoming Irish or Becoming Ir…Philip Donnellan, Ireland and Dissident Documentary (2000)Philip Donnellan, Ireland and…Introduction: Locating Celtic Music (and Song) (1998)Introduction: Locating Celtic…Music and national identity in Scotland: a study of Jock Tamson's Bairns (1997)Music and national identity i…Modern-Style Irish Accordion Playing: History, Biography and Class (1997)Modern-Style Irish Accordion …‘Amateurs and Textperts’: Studying Irish traditional music (1995)‘Amateurs and Textperts’: Stu…The History of Broadcasting in the United Kingdom, Volume IThe Birth of Broadcasting (1995)The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)Making up People in Papua (2001)How Adult Learners Learn Celtic Traditional Music: An Exploratory Case Study (2009)Ethnic Groups and Boundaries (2015)A Study on Sound and Sound Design for Accessibility in Cultural Heritage Contexts in Ireland (2023)Literary Theory: An Introduction (1984)The Intimate Enemy: Loss and Recovery of Self Under Colonialism (1985)Irish music: what it is and what we think it is (2010)The Colonizer and the Colonized (2013)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The Field of Cultural Production: Essays on Art and Literature (1996)Els adjectius 'catalufo' i 'cholo' com a produccions culturals (2008)Traditional arts and the state: The Scottish case (2014)‘It’s a part of me and I’m a part of it’: ecological thinking in contemporary Scottish folk music (2020)The consequences of modernity (1990)Ethnography In/Of the World System: The Emergence of Multi-Sited Ethnography (1995)The Interpretation of Cultures (2017)Lessons from the world: a cross-cultural guide to music teaching and learning (1991)Multicultural Perspectives in Music Education (2009)Music, informal learning and the school: a new classroom pedagogy (2009)Sonic Hospitality: Migration, Community, and Music (2012)A Social Critique of the Judgement of Taste (1984)Emigrants and Exiles: Ireland and the Irish Exodus to North America (1986)Distinction: A Social Critique of the Judgement of Taste* (2018)The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1985)Ethnicity and the Post-Modern Arts of Memory (1986)Studying Popular Music (1990)Colouring Cape Breton “Celtic” (2007)Fiddle Grooves: Identity, Representation, and the Sound of Cape Breton Fiddle Music in Popular Culture (2009)“Not just bow and string and notes”: Directors’ perspectives on community building as pedagogy in Celtic traditional music education organizations (2018)The Condition of Postmodernity (1991)
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Cited by

  • 1998Introduction: Locating Celtic Music (and Song)15 cited
  • 2001Becoming Irish or Becoming Irish Music? Boundary Construction in Irish Music Communities8 cited
  • 2000Philip Donnellan, Ireland and Dissident Documentary8 cited
  • 2009Informal Learning in Music in the Irish Secondary School Context.6 cited
  • 1997Music and national identity in Scotland: a study of Jock Tamson's Bairns6 cited
  • 1997Modern-Style Irish Accordion Playing: History, Biography and Class6 cited
  • 2005Irish scene and sound : identity, authenticity and transnationality among young musicians5 cited
  • 1995‘Amateurs and Textperts’: Studying Irish traditional music4 cited
  • 2001Becoming Irish or Becoming Irish Music? Boundary Construction in Irish Music Communities3 cited

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