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Opera: The Extravagant Art
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Opera: The Extravagant Art (1986)Opera: The Extravagant ArtIntroduction: opera studies today (2012)Introduction: opera studies t…‘An exotic and irrational entertainment’: opera and our others; opera as other (2012)‘An exotic and irrational ent…Situating opera: period, genre, reception (2011)Situating opera: period, genr…Opera in the Novel from Balzac to Proust (2011)Opera in the Novel from Balza…Orphée ressuscité? Un panorama de l’opéra contemporain en Europe (2010)Orphée ressuscité? Un panoram…“I’m sorry my story is in fragments”: Offred’s Operatic Counter-Memory (2007)“I’m sorry my story is in fra…Interdisciplinary Opera Studies (2006)Interdisciplinary Opera Studi…Wagner and the Romantic Hero (2004)Wagner and the Romantic HeroPatronage and Market in the Creation of Opera Before the Institution of Intellectual Property (2001)Patronage and Market in the C…Anti-theatricality in twentieth-century opera (2001)Anti-theatricality in twentie…The Gothic and the ‘Otherings’ of ascendant culture: the original Phantom of the Opera (1999)The Gothic and the ‘Otherings…Mozart's art of rhetoric: understanding an opera seria aria (‘Deh se piacer mi vuoi’ fromLa clemenza di Tito) (1998)Mozart's art of rhetoric: und…Magnificence in motion: Stage musicians in Lully's ballets and operas (1994)Magnificence in motion: Stage…Political Representation and the Chorus in Nineteenth-Century Opera (1992)Political Representation and …‘Stage music’ in early nineteenth-century Italian opera (1990)‘Stage music’ in early ninete…Aspects of the Novel (1927)Reading for the plot : design and intention in narrative (1984)The Female Malady: Women, Madness, and English Culture, 1830-1980 (1986)The Music of Power: (2014)Critiquing the Canon: The Role of Criticism in Canon Formation (2019)Stop the Press? The Changing Media of Music Criticism (2019)Performing Arts, the Economic Dilemma: a Study of Problems Common to Theater, Opera, Music and Dance (1977)Genius, Creativity, and Leadership (1984)A Financial History of Western Europe (1985)Opera as drama (1956)Rhythmic Gesture in Mozart: Le Nozze di Figaro and Don Giovanni (1983)Music and Discourse (1990)Recognition in Mozart's Operas (2006)The queen's throat: opera, homosexuality, and the mystery of desire (1993)Culture and Imperialism. (1994)Culture and Imperialism (2017)Avviamento all'analisi del testo letterario (1985)Dizionario biografico degli italiani (1960)The New Grove Dictionary of Music and Musicians (1981)The New Grove dictionary of music and musicians (2001)‘Too much music’: the media of opera (2012)Opera and modes of theatrical production (2012)The operatic event: opera houses and opera audiences (2012)Art and Power: Renaissance Festivals 1450-1650 (1986)Jean-Baptiste Lully and the Music of the French Baroque: Essays in Honor of James R. Anthony (1991)The New Grove dictionary of opera (1993)Power and display: music in court theatre (2005)Dance and drama in French baroque opera a history (2016)Dance and Drama in French Baroque Opera (2016)Discipline and Punish: The Birth of the Prison (1978)Discipline and Punish: The Birth of the Prison. (1978)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)The Hero with a Thousand Faces (1949)Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)From great man to fittest survivor: Reputation, recapitulation and survival in Victorian concepts of Wagner's genius (2009)The Flying Dutchman, the Wandering Jew, and Wagner's Anti-Semitism (2012)On Heroes, Hero-Worship, and the Heroic in History (2019)Anatomy of Criticism: Four Essays (1959)The Dialogic Imagination: Four Essays (1981)Distinction: A Social Critique of the Judgement of Taste* (2018)
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Cited by

  • 2011Opera in the Novel from Balzac to Proust52 cited
  • 1992Political Representation and the Chorus in Nineteenth-Century Opera37 cited
  • 1994Magnificence in motion: Stage musicians in Lully's ballets and operas28 cited
  • 2004Wagner and the Romantic Hero27 cited
  • 2006Interdisciplinary Opera Studies23 cited
  • 2011Situating opera: period, genre, reception21 cited
  • 1990‘Stage music’ in early nineteenth-century Italian opera15 cited
  • 1998Mozart's art of rhetoric: understanding an opera seria aria (‘Deh se piacer mi vuoi’ fromLa clemenza di Tito)15 cited
  • 2012Introduction: opera studies today11 cited
  • 2001Patronage and Market in the Creation of Opera Before the Institution of Intellectual Property9 cited
  • 2007“I’m sorry my story is in fragments”: Offred’s Operatic Counter-Memory7 cited
  • 1999The Gothic and the ‘Otherings’ of ascendant culture: the original Phantom of the Opera7 cited
  • 2012‘An exotic and irrational entertainment’: opera and our others; opera as other4 cited
  • 2001Anti-theatricality in twentieth-century opera4 cited
  • 2010Orphée ressuscité? Un panorama de l’opéra contemporain en Europe

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3 cited