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Flesh and the Ideal: Winckelmann and the Origins of Art History
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Cited by

  • 2014Archaeology and the Senses: Human Experience, Memory, and Affect258 cited
  • 2004The neurology of ambiguity153 cited
  • 2002Goethe's Morphology: Urphänomene and Aesthetic Appraisal109 cited
  • 2005History of Modern Aesthetics103 cited
  • 1998Moving Images: Fifth-Century Victory Monuments and the Athlete's Allure74 cited
  • 2009Of God(s), Trees, Kings, and Scholars: Neo-Assyrian and Related Studies in Honour of Simo Parpola71 cited
  • 2006Art and the archaeologist54 cited
  • 2001Antiquarianism, the History of Objects, and the History of Art before Winckelmann39 cited
  • 2006Words in Blood, Like Flowers: Philosophy and Poetry, Music and Eros in Holderlin, Nietzsche, and Heidegger28 cited
  • 2011Behold the raking geison: the new Acropolis Museum and its context-free archaeologies27 cited
  • 2009THE ASSYRIAN KING AND HIS SCHOLARS: THE SYRO-ANATOLIAN AND THE EGYPTIAN SCHOOLS24 cited
  • 2009The Sartorial Self: Neoclassical Fashion and Gender Identity in France, 1797–180423 cited
  • 1997Nationalism and racial Hellenism in nineteenth‐century England and France22 cited
  • 2004Le "Portrait parlant" de Jean-Baptiste Belley21 cited

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2014
THE NEW OTHER VICTORIANS: THE SUCCESS (AND FAILURE) OF QUEER THEORY IN NINETEENTH-CENTURY BRITISH STUDIES
20 cited
  • 2007As Greek as it gets: British attempts to recreate the parthenon18 cited