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"Defying Gravity": Queer Conventions in the Musical Wicked
16 references·5 citing·27 second hop
"Defying Gravity": Queer Conventions in the Musical Wicked (2008)"Defying Gravity": Queer Conventions in t…Homeward Bound: American Families in the Cold War Era (2017)Homeward Bound: American Fami…The American musical and the performance of personal identity (2007)The American musical and the …Crip theory: cultural signs of queerness and disability (2007)Crip theory: cultural signs o…3.2. MARXISM AND LITERATURE (2006)3.2. MARXISM AND LITERATUREThe American Musical and the Formation of National Identity (2004)The American Musical and the …A problem like Maria: gender and sexuality in the American musical (2003)A problem like Maria: gender …Something for the boys: musical theater and gay culture (2000)Something for the boys: music…Conventional Wisdom: The Content of Musical Form (2000)Conventional Wisdom: The Cont…Broadway babies say goodnight: musicals then and now (1999)Broadway babies say goodnight…Place for Us: Essay on the Broadway Musical (1998)Place for Us: Essay on the Br…Dancing women: female bodies on stage (1998)Dancing women: female bodies …The American Film Musical (1994)The American Film MusicalMaking Things Perfectly Queer: Interpreting Mass Culture (1993)Making Things Perfectly Queer…The Hollywood Musical (1992)The Hollywood MusicalThe Broadway Musical: A Critical and Musical Survey (1992)The Broadway Musical: A Criti…Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)Unsung Voices: Opera and Musi…‘Why We Build the Wall’: Hegemony, memory and current events in Hadestown (2022)‘Why We Build the Wall’: Hege…Recycled culture: the significance of intertextuality in twenty-first century musical theatre (2017)Recycled culture: the signifi…Friends "For Good" - Wicked: A New Musical and the Idealization of Friendship (2015)Friends "For Good" - Wicked: …Geen Grenzen Meer : An American Musical’s Unlimited Border Crossing (2014)Geen Grenzen Meer : An Americ…Alto on a Broomstick: Voicing the Witch in the Musical Wicked (2010)Alto on a Broomstick: Voicing…Theorizing Musical Meaning (2001)The Oxford Handbook of The American Musical (2011)Action and Agency Revisited (2013)The Cambridge History of American Music (1998)The Princess and the Magic Kingdom: Beyond Nostalgia, the Function of the Disney Princess (2004)The Aesthetics of Music (1981)The Non-diegetic Fallacy: Film, Music, and Narrative Space (2010)Anthropology and Voice (2014)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)The Practice of Cultural Studies (2004)Decolonising disability: thinking and acting globally (2011)The Bodymind Problem and the Possibilities of Pain (2014)Person-first and identity-first language: Developing psychologists’ cultural competence using disability language. (2015)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Analysing Discourse: Textual Analysis for Social Research (2003)Cruising utopia: the then and there of queer futurity (2010)Social Movement Continuity: The Women's Movement in Abeyance (1989)Change in Gender‐Ideology, 1977–1996:The Contributions of Intracohort Change and Population Turnover (2000)Power in global governance (2004)Rehearsing Heterosexuality: Unspoken Truths in Dance Education (2002)‘The Moment When it All Comes Together’ (2004)So You Think You Can Dance Does Dance Studies (2012)Publics and counterpublics (abbreviated version) (2002)Publics and counterpublics (2003)Identity Construction: New Issues, New Directions (1997)Gay and Lesbian Language (2000)A “Post-Gay” Era? Media Gaystreaming, Homonormativity, and the Politics of LGBT Integration (2013)
this work references cited by second hop

References

  • 20063.2. MARXISM AND LITERATURE4,509 cited
  • 2007Crip theory: cultural signs of queerness and disability1,865 cited
  • 2017Homeward Bound: American Families in the Cold War Era834 cited
  • 1993Making Things Perfectly Queer: Interpreting Mass Culture700 cited
  • 1991Unsung Voices: Opera and Musical Narrative in the Nineteenth Century583 cited
  • 1998Place for Us: Essay on the Broadway Musical300 cited
  • 2000Conventional Wisdom: The Content of Musical Form250 cited
  • 1992The Broadway Musical: A Critical and Musical Survey236 cited
  • 1994The American Film Musical212 cited
  • 1998Dancing women: female bodies on stage208 cited
  • 2007The American musical and the performance of personal identity162 cited
  • 2000Something for the boys: musical theater and gay culture159 cited
  • 1992The Hollywood Musical151 cited
  • 2004The American Musical and the Formation of National Identity142 cited
  • 2003A problem like Maria: gender and sexuality in the American musical140 cited
  • 1999Broadway babies say goodnight: musicals then and now128 cited

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Cited by

  • 2022‘Why We Build the Wall’: Hegemony, memory and current events in Hadestown17 cited
  • 2017Recycled culture: the significance of intertextuality in twenty-first century musical theatre15 cited
  • 2010Alto on a Broomstick: Voicing the Witch in the Musical Wicked7 cited
  • 2015Friends "For Good" - Wicked: A New Musical and the Idealization of Friendship3 cited
  • 2014Geen Grenzen Meer : An American Musical’s Unlimited Border Crossing2 cited