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The city that was creative and did not know
16 references·4 citing·26 second hop
The city that was creative and did not know (2009)The city that was creative and did not kn…The Cultural Industries (2019)The Cultural IndustriesThe Condition of the Working-Class in England (2013)The Condition of the Working-…The Creative City (2012)The Creative CityFrom The Condition of the Working Class in England (1845) (2009)From The Condition of the Wor…Decline, renewal and the city in popular music culture: beyond the Beatles (2008)Decline, renewal and the city…Rip it up and start again : postpunk 1978-1984 (2006)Rip it up and start again : p…The Rise of the Creative Class (2002)The Rise of the Creative ClassThe creative city: A toolkit for urban innovators (2001)The creative city: A toolkit …Capitalism, cities, and the production of symbolic forms (2001)Capitalism, cities, and the p…Local music policies within a global music industry: cultural quarters in Manchester and Sheffield (2000)Local music policies within a…Atlas of the European Novel 1800-1900 (1998)Atlas of the European Novel 1…Representation: Cultural representations and signifying practices. (1997)Representation: Cultural repr…Post-Punk's attempt to democratise the music industry: the success and failure of Rough Trade (1997)Post-Punk's attempt to democr…England's dreaming : Sex Pistols and punk rock (1992)England's dreaming : Sex Pist…Innovation networks: Spatial perspectives (1991)Innovation networks: Spatial …Popular Culture: The Metropolitan Experience (1987)Popular Culture: The Metropol…Methodological challenges of researching an emerging scene: Experimental electronic music in contemporary Manchester (2023)Methodological challenges of …Aesthetic cosmopolitan, national and local popular music heritage in Melbourne’s music laneways (2016)Aesthetic cosmopolitan, natio…How Joy Division Came to Sound Like Manchester: Myth and Ways of Listening in the Neoliberal City (2013)How Joy Division Came to Soun…Dancing to architecture: Popular music, economic crisis and urban change in 1980s industrial Europe (2012)Dancing to architecture: Popu…The Discursive Construction of National Identity (2009)Rethinking Critical Theory and Qualitative Research (2011)Thematic Analysis (2022)Dis-orienting rhythms: the politics of the new Asian dance music (1997)Architecture and Modern Literature (2012)Conceptualising the Relationship Between Youth, Music and DIY Careers: A Critical Overview (2018)The Production of Culture Perspective (2004)Urban Development and the Politics of a Creative Class: Evidence from a Study of Artists (2006)In the Social Factory? (2008)Developing creativity in tourist experiences: A solution to the serial reproduction of culture? (2005)Struggling with the Creative Class (2005)Poverty: An Ordinal Approach to Measurement (1976)Housing and Health: Time Again for Public Health Action (2002)Globalisation or ‘glocalisation’? Networks, territories and rescaling (2004)Creative Cities: Conceptual Issues and Policy Questions (2006)From resilience to resourcefulness (2012)The geographies of community disaster resilience (2014)Networks, Neighborhoods, and Communities (1979)Poverty and famines an essay on entitlement and deprivation (1981)Culture and health (2014)The Learning Region: Institutions, Innovation and Regional Renewal (1997)One size fits all? (2005)Why is economic geography not an evolutionary science? Towards an evolutionary economic geography (2006)The cultural and creative industries: a review of the literature (2007)Demythologizing Consumption Practices: How Consumers Protect Their Field-Dependent Identity Investments from Devaluing Marketplace Myths (2010)Reluctant entrepreneurs: musicians and entrepreneurship in the ‘new’ music industry (2017)
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References

  • 1997Representation: Cultural representations and signifying practices.7,801 cited
  • 2002The Rise of the Creative Class4,527 cited
  • 2012The Creative City1,516 cited
  • 2009From The Condition of the Working Class in England (1845)1,492 cited
  • 2001The creative city: A toolkit for urban innovators1,465 cited
  • 1991Innovation networks: Spatial perspectives1,306 cited
  • 2019The Cultural Industries1,153 cited
  • 2013The Condition of the Working-Class in England703 cited
  • 2006Rip it up and start again : postpunk 1978-1984329 cited
  • 1992England's dreaming : Sex Pistols and punk rock286 cited
  • 1998Atlas of the European Novel 1800-1900286 cited
  • 1987Popular Culture: The Metropolitan Experience232 cited
  • 2001Capitalism, cities, and the production of symbolic forms227 cited
  • 1997Post-Punk's attempt to democratise the music industry: the success and failure of Rough Trade198 cited
  • 2000Local music policies within a global music industry: cultural quarters in Manchester and Sheffield192 cited
  • 2008Decline, renewal and the city in popular music culture: beyond the Beatles

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125 cited

Cited by

  • 2013How Joy Division Came to Sound Like Manchester: Myth and Ways of Listening in the Neoliberal City12 cited
  • 2016Aesthetic cosmopolitan, national and local popular music heritage in Melbourne’s music laneways11 cited
  • 2012Dancing to architecture: Popular music, economic crisis and urban change in 1980s industrial Europe3 cited
  • 2023Methodological challenges of researching an emerging scene: Experimental electronic music in contemporary Manchester3 cited