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In the Course of Performance: Studies in the World of Musical Improvisation
0 references·16 citing·56 second hopsampled
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  • 2016Salesperson improvisation: Antecedents, performance outcomes, and boundary conditions87 cited
  • 2005What musicianship can teach educational research86 cited
  • 2005Creativity in performance84 cited
  • 2014Semiotic Dimensions of Creativity64 cited
  • 2013Toward an Anthropology of Computer-Mediated, Algorithmic Forms of Sociality60 cited
  • 2013Western music as world music57 cited
  • 2012The sign of silence: Negotiating musical identities in an improvising ensemble44 cited
  • 2009Why Music and Performance Studies? Why Now?: An Introduction to the Special Issue38 cited
  • 2011Freedom and Responsibility: The Aesthetics of Free Musical Improvisation and Its Educational Implications—A View from Bakhtin36 cited
  • 2012Rituals of Creativity: Tradition, Modernity, and the “Acoustic Unconscious” in a U.S. Collegiate Jazz Music Program32 cited
  • 2009Research education shaped by musical sensibilities30 cited
  • 2007Appropriating Universality: The Coltranes and 1960s Spirituality28 cited
  • 2009Narrative Development in Improvisational Theatre26 cited
  • 2015Who Plays the Tune in “Body and Soul”? A Performance History Using Recorded Sources22 cited

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  • 2019A Spectrum of Audience Interactivity for Entertainment Domains19 cited
  • 2009Butch Morris and the Art of Conduction18 cited