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Gnawa Confusion: The Fusion of Algeria’s Favorite French Band
16 references·0 citing·34 second hop
Gnawa Confusion: The Fusion of Algeria’s Favorite French Band (2013)Gnawa Confusion: The Fusion of Algeria’s …Traveling Spirit Masters (2007)Traveling Spirit MastersThe Cambridge Introduction to Francophone Literature (2007)The Cambridge Introduction to…The Africanist Aesthetic in Global Hip-Hop (2007)The Africanist Aesthetic in G…The Africanist aesthetic in global hip hop: power moves (2007)The Africanist aesthetic in g…Framing the French Riots: A Comparative Study of Frame Variation (2007)Framing the French Riots: A C…Black France: colonialism, immigration, and transnationalism (2007)Black France: colonialism, im…Beyond Exoticism (2007)Beyond ExoticismThe Vinyl Ain't Final: Hip Hop and the Globalization of Black Popular Culture (2006)The Vinyl Ain't Final: Hip Ho…Performing democracy: Bulgarian music and musicians in transition (2006)Performing democracy: Bulgari…Algeria in France: Transpolitics, Race, and Nation (2005)Algeria in France: Transpolit…The suffering of the immigrant (2004)The suffering of the immigrantAlgeria in France (2004)Algeria in FranceNationalists, cosmopolitans, and popular music in Zimbabwe (2001)Nationalists, cosmopolitans, …Nationalists, Cosmopolitans, and Popular Music in Zimbabwe (2000)Nationalists, Cosmopolitans, …Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning (1990)Paul Simon's Graceland, South…Communication, Music, and Speech about Music (1984)Communication, Music, and Spe…Frame Analysis: An Essay on the Organization of Experience. (1975)Framing: Toward Clarification of a Fractured Paradigm (1993)Framing Processes and Social Movements: An Overview and Assessment (2000)Power to the frame: Bringing sociology back to frame analysis (2011)The Global Right Wing and the Clash of World Politics (2012)Shifting the refugee narrative? An automated frame analysis of Europe’s 2015 refugee crisis (2017)Black Politics in South Africa since 1945 (1985)Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music (1999)A Sweet Lullaby for World Music (2000)Music and the Global Order (2004)3.2. MARXISM AND LITERATURE (2006)Distinction: A Social Critique of the Judgement of Taste* (2018)A Grammar of Motives (1969)Book Reviews : Steps to an Ecology of Mind. By GREGORY BATESON. (New York: Ballantine Books, 1972. Pp. xxvi, 517. $1.95.) (1973)For a Critique of the Political Economy of the Sign (1980)Stimulated Recall Interviews in Ethnography (2010)Village in the Vaucluse (1957)The Global Situation (2000)Crafting the Culture and History of French Chocolate (2001)IMMIGRANT RACIALIZATION AND THE NEW SAVAGE SLOT: Race, Migration, and Immigration in the New Europe (2005)Casualties of Care (2011)A New Anthropology of Islam (2012)Modes of engagement: migration, self‐initiated expatriation, and career development (2010)Why Things Matter to People (2011)Why Things Matter to People: Social Science, Values and Ethical Life (2011)GLOBAL BLACK SELF-FASHIONINGS: HIP HOP AS DIASPORIC SPACE (2008)Global Ill-Literacies (2011)Translocal style communities (2015)World music: deterritorializing place and identity (2004)Sonic Transculturation, Epistemologies of Purification and the Aural Public Sphere in Latin America (2006)Music, Language, and Texts: Sound and Semiotic Ethnography (2012)Decomposed: a political ecology of music (2015)The Cambridge History of Music Criticism (2019)Coloniality of Power in Postcolonial Africa. Myths of Decolonization (2013)
this work references cited by second hop

References

  • 2000Nationalists, Cosmopolitans, and Popular Music in Zimbabwe444 cited
  • 2005Algeria in France: Transpolitics, Race, and Nation332 cited
  • 1990Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning314 cited
  • 2004The suffering of the immigrant311 cited
  • 2007Beyond Exoticism285 cited
  • 2007Framing the French Riots: A Comparative Study of Frame Variation260 cited
  • 1984Communication, Music, and Speech about Music253 cited
  • 2001Nationalists, cosmopolitans, and popular music in Zimbabwe212 cited
  • 2007The Africanist aesthetic in global hip hop: power moves153 cited
  • 2007The Africanist Aesthetic in Global Hip-Hop145 cited
  • 2007Traveling Spirit Masters140 cited
  • 2007Black France: colonialism, immigration, and transnationalism134 cited
  • 2007The Cambridge Introduction to Francophone Literature131 cited
  • 2006The Vinyl Ain't Final: Hip Hop and the Globalization of Black Popular Culture113 cited
  • 2004Algeria in France99 cited
  • 2006Performing democracy: Bulgarian music and musicians in transition92 cited

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