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A"Very German Process": The Contexts of Adorno's Strauss Critique
6 references·1 citing·24 second hop
A"Very German Process": The Contexts of Adorno's Strauss Critique (2001)A"Very German Process": The Contexts of A…Grundfragen des musikalischen Hörens (2022)Grundfragen des musikalischen…The Quest for the Origins of Music in Germany Circa 1900 (2000)The Quest for the Origins of …Brahms as Liberal: Genre, Style, and Politics in Late Nineteenth-Century Vienna (1993)Brahms as Liberal: Genre, Sty…Introduction to the Sociology of Music. (1977)Introduction to the Sociology…Philosophy of Modern Music (1976)Philosophy of Modern MusicDer Strom der Töne trug mich fort : Die Welt um Richard Strauss in Briefen (1967)Der Strom der Töne trug mich …Processual Tonality and the Psychoacoustics of Chromaticism (2025)Processual Tonality and the P…Nineteenth-century music (1989)How "deutsch" a Requiem? Absolute Music, Universality, and the Reception of Brahms's "Ein deutsches Requiem," op. 45 (1998)The New Grove dictionary of music and musicians (2001)Choral fantasies: music, festivity, and nationhood in nineteenth-century Germany (2013)The Viennese symphony 1750 to 1827 (2013)The descent of man and selection in relation to sex (1907)The Order of Things: An Archaeology of the Human Sciences. (1971)Time and the Other: How Anthropology Makes Its Object (1983)Hugo Riemann and the Birth of Modern Musical Thought (2003)Cultural evolution of music (2019)The Cambridge History of Music Criticism (2019)Generalized Musical Intervals and Transformations (1988)Classical Form (1998)Elements of Sonata Theory (2006)Popular Culture as Oppositional Culture: Rap as Resistance (1997)After Adorno : rethinking music sociology (2003)The Total Work of Art in European Modernism (2011)Club cultures: music, media and subcultural capital (1996)Music as a technology of the self (1999)Tweets and the Streets : Social Media and Contemporary Activism (2012)Musicology in the "Third Reich": A Preliminary Report (2001)Four Voices, One Canon? (2009)Viral tunes: changes in musical behaviours and interest in coronamusic predict socio-emotional coping during COVID-19 lockdown (2021)Der Rosenkavalier — Ariadne auf Naxos — Die Frau ohne Schatten (2014)
this work references cited by second hop

References

  • 1977Introduction to the Sociology of Music.663 cited
  • 1976Philosophy of Modern Music314 cited
  • 2000The Quest for the Origins of Music in Germany Circa 1900132 cited
  • 1993Brahms as Liberal: Genre, Style, and Politics in Late Nineteenth-Century Vienna74 cited
  • 1967Der Strom der Töne trug mich fort : Die Welt um Richard Strauss in Briefen13 cited
  • 2022Grundfragen des musikalischen Hörens12 cited

Cited by

  • 2025Processual Tonality and the Psychoacoustics of Chromaticism2 cited

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