The Face of Television

Abstract

This article proposes some physiognomic speculations regarding three visual characteristics of television in its pre-digital-broadcasting form: (1) the importance of the head shot as a staple technique for representing the human figure and, hence, the primacy of the human face as a televisual image; (2) the mirrorlike reflective surface of the cathode-ray tube television screen, which makes the viewer’s reflected image appear to emanate from the depths of the television set; and (3) the box-like design of television sets that turns them into miniature containers of the pictures they show. It argues that these three characteristics amounted to an integrated communicative structure that made television a key mechanism for the social construction of humanity in the second half of the twentieth century, a mechanism whose future is uncertain in the age of new digital platforms.

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