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New Light on the Bouffons in Paris (1752–1754)
9 references·1 citing·29 second hop
New Light on the Bouffons in Paris (1752–1754) (2014)New Light on the Bouffons in Paris (1752–…French Baroque Opera: A Reader (2017)French Baroque Opera: A ReaderThe Cambridge history of eighteenth-century music (2010)The Cambridge history of eigh…Music in European Capitals: The Galant Style, 1720-1780 (2003)Music in European Capitals: T…The Making of Revolutionary Paris (2002)The Making of Revolutionary P…The New Grove dictionary of opera (1993)The New Grove dictionary of o…Giovanni Francesco Crosa and the First Italian Comic Operas in London, Brussels and Amsterdam, 1748–50 (1993)Giovanni Francesco Crosa and …From Destouches to Berton: Editorial Responsibility at the Paris Opéra (1987)From Destouches to Berton: Ed…Essai Sur LA Musique Ancienne Et Moderne (1976)Essai Sur LA Musique Ancienne…Dictionnaire de biographie française (1933)Dictionnaire de biographie fr…Die Opera buffa in Europa (2023)Die Opera buffa in EuropaThe Yale Edition of Horace Walpole's Correspondence (1942)Arne, Handel, the Beautiful, and the Sublime (2009)Castrati and impresarios in London: two mid-eighteenth-century lawsuits (2012)Charles Dibdin and Late Georgian Culture (2018)The origins of modern musical criticism: French and Italian music, 1600-1750 (1981)Die Musik in Geschichte und Gegenwart (1989)French Baroque music from Beaujoyeulx to Rameau (1998)Opera in the Age of Rousseau: Music, Confrontation, Realism (2012)Dance and drama in French baroque opera a history (2016)Dance and Drama in French Baroque Opera (2016)Social Structure and Competition in Interfirm Networks: The Paradox of Embeddedness (1997)Birds of a Feather: Homophily in Social Networks (2001)A Theory of Adaptation (2006)Religion and literature (2005)The Cambridge History of English Literature, 1660–1780 (2005)Classical and Romantic Performing Practice (2025)Aristotle, Descartes and the New Science: Natural philosophy at the University of Paris, 1600–1740 (1981)The research school of Marie Curie in the Paris faculty, 1907–14 (1995)Science, Reform, and Politics in Victorian Britain (2002)M eyer's Anvil: Revisiting the Schema Concept (2012)Vocal performance in the seventeenth century (2012)The Cambridge History of Music Criticism (2019)Critiquing the Canon: The Role of Criticism in Canon Formation (2019)Suite vs Sonata in the Baroque Era (2020)Artists and the city: mapping the art worlds of eighteenth-century Paris (2018)Enlightening Harmonies: Rameau's corps sonore and the Representation of the Divine in the tragédie en musique (2012)The Sublime and French Seventeenth-Century Theories of the Spectacle: Toward an Aesthetic Approach to Performance (2017)The Rise of Ethnomusicology: Sources on Indian Music c.1780 - c.1890 (1988)Using Diverse Sources of Evidence for Reconstructing the Past History of Musical Exchanges in the Indian Ocean (2014)
this work references cited by second hop

References

  • 1993The New Grove dictionary of opera371 cited
  • 2003Music in European Capitals: The Galant Style, 1720-1780232 cited
  • 1933Dictionnaire de biographie française102 cited
  • 2002The Making of Revolutionary Paris69 cited
  • 1976Essai Sur LA Musique Ancienne Et Moderne55 cited
  • 2017French Baroque Opera: A Reader44 cited
  • 2010The Cambridge history of eighteenth-century music42 cited
  • 1993Giovanni Francesco Crosa and the First Italian Comic Operas in London, Brussels and Amsterdam, 1748–5038 cited
  • 1987From Destouches to Berton: Editorial Responsibility at the Paris Opéra26 cited

Cited by

  • 2023Die Opera buffa in Europa4 cited

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