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Damnable Deconstructions: Vice Language in the Interlude
13 references·0 citing·31 second hop
Damnable Deconstructions: Vice Language in the Interlude (1997)Damnable Deconstructions: Vice Language i…The Elizabethan Stage (2009)The Elizabethan StageThe Towneley Plays (1997)The Towneley PlaysA Tretise of Miraclis Pleyinge (1996)A Tretise of Miraclis Pleyinge:Christian Plain Style: The Evolution of a Spiritual Ideal (1996):Christian Plain Style: The E…Theatre and Reformation: Protestantism, Patronage, and Playing in Tudor England (1995)Theatre and Reformation: Prot…:Shakespeare, Harsnett, and the Devils of Denham (1994):Shakespeare, Harsnett, and t…Iconoclasm Vs Art and Drama (1988)Iconoclasm Vs Art and DramaTHE PRESENTATION OF SIN AS VERBAL ACTION IN THE MORAL INTERLUDES (1985)THE PRESENTATION OF SIN AS VE…THE MACRO PLAYS (1984)THE MACRO PLAYSThe English Morality Play (1976)The English Morality PlayThe Antitheatrical Prejudice (1966)The Antitheatrical PrejudiceThe Triumph of the English Language. (1954)The Triumph of the English La…The First Phase of the Elizabethan Attack on the Stage, 1558-1579 (1942)The First Phase of the Elizab…The controversy between the Puritans and the stage (1903)Government Regulation of the Elizabethan Drama (1908)Literature and the theatre to 1660 (2003)Manuscript transmission and circulation (2003)Print, literary culture and the book trade (2003)Close readers: humanism and sodomy in early modern England (1997)Literature and London (2003)Reformation and the Culture of Persuasion (2005)Code-Switching in Medieval English Drama (1997)The Drama of Coronation: Medieval Ceremony in Early Modern England (2008)Shaping the Archive in Late Medieval England: History, Poetry, and Performance (2017)The Cambridge History of the Book in Britain (2002)The Identity of ‘Anthony Rivers’ (2002)The Shakespearean Stage 1574–1642 (2009)Latinitas (1999)London texts and literate practice (1999)The Middle English Mystics (1999)The Rood of Boxley, the Blood of Hailes and the Defence of the Henrician Church (1995)Forgery and Miracles in the Reign of Henry VIII (2003)The Cambridge History of British Theatre (2004)Stage Fright, Animals, and Other Theatrical Problems (2006)The competence of theatre audiences in fifth- and fourth-century Athens (2006)RETHINKING THE SOCIAL IMPACTS OF THE ARTS (2007)Language and the Culture of Gender: At the Intersection of Structure, Usage, and Ideology (1985)Moral philosophy (1988)Gender shifts in the history of English (2003)John Chrysostom's congregation in Antioch (2001)Christianization and Communication in Late Antiquity: John Chrysostom and his Congregation in Antioch (2009)Importation of printed books into England and Scotland (1999)The books of the common law (1999)The rise of London’s book-trade (1999)
this work references cited by second hop

References

  • 1966The Antitheatrical Prejudice331 cited
  • 2009The Elizabethan Stage303 cited
  • 1954The Triumph of the English Language.230 cited
  • 1995Theatre and Reformation: Protestantism, Patronage, and Playing in Tudor England211 cited
  • 1996A Tretise of Miraclis Pleyinge107 cited
  • 1984THE MACRO PLAYS67 cited
  • 1997The Towneley Plays49 cited
  • 1942The First Phase of the Elizabethan Attack on the Stage, 1558-157944 cited
  • 1988Iconoclasm Vs Art and Drama44 cited
  • 1996:Christian Plain Style: The Evolution of a Spiritual Ideal42 cited
  • 1994:Shakespeare, Harsnett, and the Devils of Denham34 cited
  • 1976The English Morality Play17 cited
  • 1985THE PRESENTATION OF SIN AS VERBAL ACTION IN THE MORAL INTERLUDES4 cited

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