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The appeal of art within the tourist experience is often associated with works of art in galleries and museums. The attraction of art, including architecture, which is found in urban public spaces, such as parks, churches and squares and is largely not interpreted for visitors, receives less attention, despite its ubiquitousness in cities around the world. This article explores the role of public art in the tourist experience using comparative case studies of Istanbul, Ravenna and New York to frame the discussion. Findings suggest that the lack of formal interpretation of public art does not necessarily diminish but may in fact enhance the tourist experience, especially for those tourists open to discovery and exploration.
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Stored only when both papers are in the corpus — 11 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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