Historiography, Narrative, and the Nineteenth Century

Abstract

The narrative stories of nineteenth-century British history have been pulled seriously out of joint. At one time, not too long ago, the master narrative of nineteenth-century history seemed fairly straightforward. The nineteenth century raised the curtain on the modern age; its politics, economics, social relations, and culture presaged the world we know from our own times. If there was one organizing principle that the historiography privileged above all others, it was the idea of change. This was the century of growth and change—generally of a progressive kind. But new stories are now being told that force us to reconsider this picture. The spotlight is being directed toward themes of continuity that challenge the representation of the nineteenth century as the moment of modernity. It is this shift from change to continuity as the basic organizing principle of the field that is the starting point for this article. The touch of continuity is everywhere. The traditional historiography rested secure in the conception that the nineteenth century was shaped and dominated by the fact of Britain as the first industrial nation. But current research has dissolved the Industrial Revolution into the long-term trends of economic growth; now the very name itself is jeopardized. Whereas the nineteenth century was once regarded as the age of the bourgeoisie, it is the landed elites and their various allies who now occupy center stage. The urban middle class has been returned to the provincial peripheries.

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