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Heavy Metal Carnival and Dis‐alienation: The Politics of Grotesque Realism
6 references·16 citing·38 second hop
Heavy Metal Carnival and Dis‐alienation: The Politics of Grotesque Realism (2006)Heavy Metal Carnival and Dis‐alienation: …The Society of the Spectacle (2020)The Society of the SpectacleHeavy Metal: The Music And Its Culture (2009)Heavy Metal: The Music And It…Metalheads: Heavy Metal Music And Adolescent Alienation (1996)Metalheads: Heavy Metal Music…Running with the devil: power, gender, and madness in heavy metal music (1993)Running with the devil: power…The Ritual Process: Structure and Anti-Structure (1976)The Ritual Process: Structure…The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)The Social Construction of Re…Toward a Systematic Understanding of “Heaviness” in Metal Music Production (2022)Toward a Systematic Understan…Superdiversity and translocal brutality in Asian extreme metal lyrics (2021)Superdiversity and translocal…Nightlife Ethnography: A Phenomenological Approach (2021)Nightlife Ethnography: A Phen…Norwegian black metal, transgression and sonic abjection (2019)Norwegian black metal, transg…‘Feel the Knife Pierce You Intensely’: Slayer’s ‘Angel of Death’—Holocaust Representation or Metal Affects? (2019)‘Feel the Knife Pierce You In…Putting the ‘studies’ back into metal music studies (2018)Putting the ‘studies’ back in…Un(su)Stained Class? (2016)Un(su)Stained Class?The branded carnival: the dark magic of consumer excitement (2016)The branded carnival: the dar…Musical Interactions: Girls Who Like and Use Rap Music for Empowerment (2016)Musical Interactions: Girls W…Transformation, transcendence, and temporality in theatrical consumption (2015)Transformation, transcendence…Running in Circles: Performing Values in the Bandung ‘Do It Yourself’ Hardcore Scene (2014)Running in Circles: Performin…“The Fist in the Face of God” (2014)“The Fist in the Face of God”The sound of street corner society: UK grime music as ethnography (2013)The sound of street corner so…Heavy Genealogy: Mapping the Currents, Contraflows and Conflicts of the Emergent Field of Metal Studies, 1978-2010 (2011)Heavy Genealogy: Mapping the …Brutal belonging in Melbourne's grindcore scene (2010)Brutal belonging in Melbourne…Rethinking metal aesthetics: complexity, authenticity, and audience in Meshuggah's «I» and «Catch Thirtythr33» (2009)Rethinking metal aesthetics: …The Archaeology of Knowledge. (1974)Textual poachers : television fans & participatory culture (1992)The Cultural Studies Reader (1993)Depending on music to feel better: Being conscious of responsibility when appropriating the power of music (2013)Explaining the naming of heavy metal from rock’s ‘Back Pages’: A dialogue with Deena Weinstein (2015)The Structure of Scientific Revolutions (1963)The Structure of Scientific Revolutions. (1964)Exploring internal stickiness: Impediments to the transfer of best practice within the firm (1996)Manifesto Of The Communist Party (2011)Seeking Qualitative Rigor in Inductive Research (2012)Conceptualizing the circular economy: An analysis of 114 definitions (2017)Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)Distinction: A Social Critique of the Judgement of Taste. (1985)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Practical Reason: On the Theory of Action (1998)Practical Reason: On the Theory of Action (1999)Considering genre in metal music (2020)Metal music studies at the intersection of theory and practice (2021)When love and critique collide:1 Methodology, ontology, fandom and standpoint in metal research (2021)Necropolitics (2003)The ‘Failure’ of Youth Culture (2004)“Sons of Northern Darkness”: Heathen Influences in Black Metal and Neofolk Music1 (2011)Harmonic structures in twenty-first-century metal music: A harmonic analysis of five major metal genres (2023)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)In the Social Factory? (2008)Urban tourism research: Recent progress and current paradoxes (2010)The psychology of globalization. (2002)Friendship 2.0: Adolescents' experiences of belonging and self‐disclosure online (2012)Emerging Adulthood (2014)Music in Everyday Life (2000)Authenticity as authentication (2002)Classification as Culture: Types and Trajectories of Music Genres (2008)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)The four elementary forms of sociality: Framework for a unified theory of social relations. (1992)Boundary Crossing and Boundary Objects (2011)‘Insider Research’ in the Study of Youth Cultures (2005)Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans (2006)The intimate insider: negotiating the ethics of friendship when doing insider research (2011)
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References

  • 1967The Social Construction of Reality: A Treatise in the Sociology of Knowledge.16,459 cited
  • 1976The Ritual Process: Structure and Anti-Structure6,725 cited
  • 2020The Society of the Spectacle1,640 cited
  • 1993Running with the devil: power, gender, and madness in heavy metal music942 cited
  • 2009Heavy Metal: The Music And Its Culture403 cited
  • 1996Metalheads: Heavy Metal Music And Adolescent Alienation202 cited

Cited by

  • 2011Heavy Genealogy: Mapping the Currents, Contraflows and Conflicts of the Emergent Field of Metal Studies, 1978-2010105 cited
  • 2018Putting the ‘studies’ back into metal music studies60 cited
  • 2016Un(su)Stained Class?53 cited
  • 2019Norwegian black metal, transgression and sonic abjection49 cited
  • 2014“The Fist in the Face of God”37 cited
  • 2013The sound of street corner society: UK grime music as ethnography37 cited
  • 2022Toward a Systematic Understanding of “Heaviness” in Metal Music Production35 cited
  • 2015Transformation, transcendence, and temporality in theatrical consumption30 cited
  • 2016The branded carnival: the dark magic of consumer excitement29 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2010Brutal belonging in Melbourne's grindcore scene21 cited
  • 2014Running in Circles: Performing Values in the Bandung ‘Do It Yourself’ Hardcore Scene15 cited
  • 2021Nightlife Ethnography: A Phenomenological Approach13 cited
  • 2016Musical Interactions: Girls Who Like and Use Rap Music for Empowerment8 cited
  • 2021Superdiversity and translocal brutality in Asian extreme metal lyrics8 cited
  • 2009Rethinking metal aesthetics: complexity, authenticity, and audience in Meshuggah's «I» and «Catch Thirtythr33»8 cited
  • 2019‘Feel the Knife Pierce You Intensely’: Slayer’s ‘Angel of Death’—Holocaust Representation or Metal Affects?7 cited