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Into the mainstream: Shifting authenticities in art
8 references·4 citing·29 second hop
Into the mainstream: Shifting authenticities in art (2007)Into the mainstream: Shifting authenticit…Paris primitive: Jacques Chirac's Museum on the Quai Branly (2008)Paris primitive: Jacques Chir…Romare Bearden: the Caribbean dimension (2007)Romare Bearden: the Caribbean…Painting Culture (2002)Painting CultureUnpacking Culture (1999)Unpacking CultureUnpacking culture : art and commodity in colonial and postcolonial worlds (1999)Unpacking culture : art and c…Maroon arts: cultural vitality in the African diaspora (1999)Maroon arts: cultural vitalit…Hidden in Plain View: A Secret Story of Quilts and the Underground Railroad (1999)Hidden in Plain View: A Secre…Native North American Art (1998)Native North American ArtThe Anthropology of Art, After the End of Art: Contesting the Art-Culture System (2019)The Anthropology of Art, Afte…Multiple Authenticities in Motion: Styles and Stances in SikhSabad Kīrtan (2016)Multiple Authenticities in Mo…Reimagining Contexts: Art, Authenticity, and Identity Among Female Artisans in India (2014)Reimagining Contexts: Art, Au…Four kinds of authenticity? Regarding Nicaraguan pottery in Scandinavian museums, 2006–08 (2009)Four kinds of authenticity? R…The cultural biography of things: commoditization as process (1986)The Social Life of Things (1986)The Predicament of Culture (1988)Labor and Precariousness in C hina's Porcelain Capital (2014)Time and the Other: How Anthropology Makes Its Object (1983)Provincializing Europe: Postcolonial Thought and Historical Difference (2001)Meeting the Universe Halfway (2007)Creoles, Contact, and Language Change (2004)When Race Makes No Difference: Marriage and the Military (2004)Politeness and Face in Caribbean Creoles (2005)If Meaning Is Constructed, What Is It Made From? Toward a Cultural Theory of Reading (2001)Hidden in view: African spiritual spaces in North American landscapes (2003)Linking Mathematics, Culture and Community (2015)Inscribing the Body (2004)The Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production (2010)Ontological anthropology and the deferral of critique (2014)Marketing Across Cultures (2001)Global Anxieties (2004)Law, Anthropology, and the Constitution of the Social (2004)Colonial museums in a postcolonial Europe (2009)Contested Cultural Heritage: A Selective Historiography (2010)Legacies of prejudice: racism, co-production and radical trust in the museum (2010)No Word for Art in Our Language? Old Questions, New Paradigms (2012)Prehistoric Art in Europe: A Deep-Time Social History (2015)Ceramic technology. How to investigate surface finishing (2020)Souvenirs: Icons of meaning, commercialization and commoditization (2011)Americocentrism and Art of the Caribbean: Contours of a Time–Space Logic (2013)Sargassum in the Black Atlantic: Entanglement and the abyss in Bearden, Walcott, and Philip (2018)ABRUPT STOPS AND UNEXPECTED LIQUIDITY: (2019)
this work references cited by second hop

References

  • 2002Painting Culture326 cited
  • 1999Unpacking culture : art and commodity in colonial and postcolonial worlds322 cited
  • 2008Paris primitive: Jacques Chirac's Museum on the Quai Branly199 cited
  • 1999Unpacking Culture156 cited
  • 1999Hidden in Plain View: A Secret Story of Quilts and the Underground Railroad89 cited
  • 1998Native North American Art87 cited
  • 1999Maroon arts: cultural vitality in the African diaspora64 cited
  • 2007Romare Bearden: the Caribbean dimension41 cited

Cited by

  • 2009Four kinds of authenticity? Regarding Nicaraguan pottery in Scandinavian museums, 2006–0819 cited
  • 2019The Anthropology of Art, After the End of Art: Contesting the Art-Culture System15 cited
  • 2016Multiple Authenticities in Motion: Styles and Stances in SikhSabad Kīrtan9 cited
  • 2014Reimagining Contexts: Art, Authenticity, and Identity Among Female Artisans in India2 cited

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