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The Sydney Dance Music Scene and the Global Diffusion of Contemporary Club Culture
16 references·1 citing·35 second hop
The Sydney Dance Music Scene and the Global Diffusion of Contemporary Club Culture (2009)The Sydney Dance Music Scene and the Glob…Music Scenes: Local, Translocal, and Virtual (2011)Music Scenes: Local, Transloc…Sound Tracks (2003)Sound TracksGlobal noise - Rap and Hip-Hop outside the USA (2003)Global noise - Rap and Hip-Ho…Sound Tracks: Popular Music Identity and Place (2002)Sound Tracks: Popular Music I…The Cambridge Companion to Pop and Rock (2001)The Cambridge Companion to Po…The social construction of scale (2000)The social construction of sc…Popular music and youth culture: music, identity and place (2000)Popular music and youth cultu…"You Better Work!" (2000)"You Better Work!"Last Night a DJ Saved My Life: The History of the Disc Jockey (1999)Last Night a DJ Saved My Life…Clubbing : dancing, ecstasy and vitality (1999)Clubbing : dancing, ecstasy a…Generation Ecstasy: Into the World of Techno and Rave Culture (1998)Generation Ecstasy: Into the …Energy Flash: A Journey Through Rave Music and Dance Culture (1998)Energy Flash: A Journey Throu…Club cultures: music, media and subcultural capital (1996)Club cultures: music, media a…Subculture: The Meaning of Style (1995)Subculture: The Meaning of St…Recreational MDMA use in Sydney: a profile of ‘Ecstasy’ users and their experiences with the drug (1992)Recreational MDMA use in Sydn…Systems of articulation, logics of change: Communities and scenes in popular music (1991)Systems of articulation, logi…Ethnography From the Inside: Industry-based Research in the Commercial Sydney EDM Scene (2013)Ethnography From the Inside: …Differences Between the Mechanism of Action of MDMA, MBDB, and the Classic Hallucinogens. Identification of a New Therapeutic Class: Entactogens (1986)Subjective Reports of the Effects of MDMA in a Clinical Setting (1986)Neurotoxicity of the psychedelic amphetamine, methylenedioxymethamphetamine. (1987)Ecstasy (MDMA): a review of its possible persistent psychological effects (2000)Gender differences in the subjective effects of MDMA (2001)Human psychopharmacology of Ecstasy (MDMA): a review of 15 years of empirical research (2001)The consequences of modernity (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)The Forms of Capital (2002)Consumer Culture Theory (CCT): Twenty Years of Research (2005)Where Consumers Diverge from Others: Identity Signaling and Product Domains (2007)Distinction: A Social Critique of the Judgement of Taste* (2018)Woman's Body, Woman's Right: A Social History of Birth Control in America (1977)The Dictionary of Human Geography (1995)Progress in Human Geography (2001)The limits to scale? Methodological reflections on scalar structuration (2001)Human geography without scale (2005)Theorizing Sociospatial Relations (2008)Classification in Art (1987)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Understanding Popular Culture (2006)INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)Subcultures, Scenes or Tribes? None of the Above (2005)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Theorising Urban Playscapes: Producing, Regulating and Consuming Youthful Nightlife City Spaces (2002)The Glocalization of Youth Culture: The Global Youth Segment as Structures of Common Difference (2006)Cultural economy: a critical review (2005)The Modalities of Nostalgia (2006)Metrolingualism: fixity, fluidity and language in flux (2009)‘Insider Research’ in the Study of Youth Cultures (2005)The intimate insider: negotiating the ethics of friendship when doing insider research (2011)Music and the Global Order (2004)Hybridity and the rise of Korean popular culture in Asia (2005)Changing Communicative Needs, Revised Assessment Objectives: Testing English as an International Language (2006)The effects of social media on emotions, brand relationship quality, and word of mouth: An empirical study of music festival attendees (2014)
this work references cited by second hop

References

  • 1995Subculture: The Meaning of Style3,813 cited
  • 1996Club cultures: music, media and subcultural capital1,941 cited
  • 2000The social construction of scale1,830 cited
  • 1991Systems of articulation, logics of change: Communities and scenes in popular music893 cited
  • 2000Popular music and youth culture: music, identity and place468 cited
  • 2002Sound Tracks: Popular Music Identity and Place424 cited
  • 2003Sound Tracks423 cited
  • 1992Recreational MDMA use in Sydney: a profile of ‘Ecstasy’ users and their experiences with the drug413 cited
  • 1999Clubbing : dancing, ecstasy and vitality412 cited
  • 2003Global noise - Rap and Hip-Hop outside the USA374 cited
  • 1999Last Night a DJ Saved My Life: The History of the Disc Jockey342 cited
  • 1998Generation Ecstasy: Into the World of Techno and Rave Culture336 cited
  • 2001The Cambridge Companion to Pop and Rock300 cited
  • 1998Energy Flash: A Journey Through Rave Music and Dance Culture297 cited
  • 2011Music Scenes: Local, Translocal, and Virtual229 cited
  • 2000"You Better Work!"173 cited

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Cited by

  • 2013Ethnography From the Inside: Industry-based Research in the Commercial Sydney EDM Scene3 cited