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Some prosulas for offertory antiphons
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Some prosulas for offertory antiphons (1982)Some prosulas for offertory antiphonsThe New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…The New Grove Dictionary of Music and Musicians (1981)The New Grove Dictionary of M…Comment a-t-on chanté les prosules? Observations sur la technique des tropes de l'alleluia (1979)Comment a-t-on chanté les pro…H 159 Montpellier. Tonary of St. Benigne of Dijon (1977)H 159 Montpellier. Tonary of …Can We Identify an Aquitanian Chant Style? (1974)Can We Identify an Aquitanian…Lateinische Syntax und Stilistik (1972)Lateinische Syntax und Stilis…A Troped Offertorium-Conductus of the 13th Century (1971)A Troped Offertorium-Conductu…The Early Trope Repertory of Saint Martial de Limoges (1970)The Early Trope Repertory of …The Prosulae of the MS Paris, Bibliothèque Nationale, f. lat. 1118 (1969)The Prosulae of the MS Paris,…Tropen- und Sequenzhandschriften (1965)Tropen- und Sequenzhandschrif…Corpus scriptorum de musica (1957)Corpus scriptorum de musicaAntiphonale missarum sextuplex (1935)Antiphonale missarum sextuplexMelismatic Tropes in the Responsories for Matins (1963)The Origins of the Musical Staff (2008)W. de Wicumbe's Rolls and Singing the Alleluya ca. 1250 (2020)Carnivals for elites? The cultural politics of arts festivals (1998)The Total Work of Art in European Modernism (2011)Classical and Romantic Performing Practice (2025)Petronius and the Anatomy of Fiction (2002)Aulus Gellius (2003)Expressions of Agency in Ancient Greek (2005)An unknown English Benedictine gradual of the eleventh century (1975)On the Dissemination of Quem quaeritis and the Visitatio sepulchri and the Chronology of Their Early Sources (1980)The Musical World of a Medieval Monk (2006)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)The Rhythm of "cum littera" Sections of Polyphonic Conductus in Mensural Sources (1973)Discovering Medieval Song (2018)Discovering Medieval Song: Latin Poetry and Music in the Conductus (2018)"The Imperfect Seeks Its Perfection": Harmonic Progression, Directed Motion, and Aristotelian Physics (2001)A Concert of Paintings: “Musical Ekphrasis” in the Twentieth Century (2001)Energetics (2002)On Gregorian Orality (1990)The Politics of Reception: Tailoring the Present as Fulfilment of a Desired Past (1991)The office of the cantor in early Western monastic rules and customaries: a preliminary investigation (1985)The Early Career of Guillaume Du Fay (1993)Guillaume Du Fay (2019)Charlemagne's Archetype of Gregorian Chant (1987)The earliest sources of Notker's sequences: St Gallen, Vadiana 317, and Paris, Bibliothèque Nationale lat. 10587 (1991)
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References

  • 2001The New Grove dictionary of music and musicians2,602 cited
  • 1981The New Grove Dictionary of Music and Musicians1,244 cited
  • 1972Lateinische Syntax und Stilistik673 cited
  • 1935Antiphonale missarum sextuplex128 cited
  • 1957Corpus scriptorum de musica48 cited
  • 1974Can We Identify an Aquitanian Chant Style?25 cited
  • 1965Tropen- und Sequenzhandschriften24 cited
  • 1971A Troped Offertorium-Conductus of the 13th Century23 cited
  • 1969The Prosulae of the MS Paris, Bibliothèque Nationale, f. lat. 111823 cited
  • 1970The Early Trope Repertory of Saint Martial de Limoges20 cited
  • 1979Comment a-t-on chanté les prosules? Observations sur la technique des tropes de l'alleluia18 cited
  • 1977H 159 Montpellier. Tonary of St. Benigne of Dijon5 cited

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