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Thermal, mineralogical and spectroscopic study of plasters from three post-Byzantine churches from Kastoria (northern Greece)
12 references·3 citing·42 second hop
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this work references cited by second hop

References

  • 2004Raman microscopy in archaeological science351 cited
  • 2005Analytical characterisation of ancient mortars from the archaeological Roman city of Pollentia (Balearic Islands, Spain)101 cited
  • 2008A comprehensive micro‐Raman spectroscopic study of prehistoric rock paintings from the Sierra de las Cuerdas, Cuenca, Spain91 cited
  • 2008Analytical study of ancient pottery from the archaeological site of Aiani, northern Greece81 cited
  • 2003Ancient covering plaster mortars from several convents and Islamic and Gothic palaces in Palma de Mallorca (Spain). Analytical characterisation73 cited
  • 2006Thermal and mineralogical contribution to the ancient ceramics and natural clays characterization69 cited
  • 2008The conservational heritage of wall paintings and buildings : an FT‐Raman spectroscopic study of prehistoric, Roman, mediaeval and Renaissance lime substrates and mortars64 cited
  • 2007Raman microscopy as a structural and analytical tool in the fields of art and archaeology54 cited
  • 2008From Byzantine to post-Byzantine art: the painting technique of St Stephen's wall paintings at Meteora, Greece53 cited
  • 2006TG-DTA and FTIR analyses of plasters from byzantine monuments in Balkan region51 cited
  • 2009Byzantine wall paintings from Mani (Greece): microanalytical investigation of pigments and plasters43 cited
  • 2006Onoufrios, the famous XVI’s century iconographer, creator of the “Berati School”: studying the technique and materials used in wall paintings of inscribed churches33 cited

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Cited by

  • 2019A combination of analytical methods to evaluate the effect of humidity aging on the painting materials of icon models22 cited
  • 2015A combined analytical approach applied to Medieval wall paintings from Puglia (Italy): The study of painting techniques and its conservation state21 cited
  • 2012Gold Gilding and Pigment Identification on a Post-Byzantine Icon from Kastoria, Northern Greece17 cited