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Editor's Note: Dance in the Museum
7 references·4 citing·28 second hop
Editor's Note: Dance in the Museum (2014)Editor's Note: Dance in the MuseumPoetics of Dance (2015)Poetics of DanceThe Birth of the Museum: History, Theory, Politics (1996)The Birth of the Museum: Hist…The Birth of the Museum: History, Theory, Politics (1995)The Birth of the Museum: Hist…The Archaeology of Knowledge. (1974)The Archaeology of Knowledge.The archaeology of knowledge (1973)The archaeology of knowledgeMinimal art: a critical anthology (1968)Minimal art: a critical antho…Minimal Art : A Critical Anthology (1968)Minimal Art : A Critical Anth…The influence of visitors’ specific motor actions on the perception and evaluation of museum exhibits (2023)The influence of visitors’ sp…Proprioceptive art: How should it be defined, and why has it become so popular? (2022)Proprioceptive art: How shoul…Moving Spaces Enacting Dance, Performance, and the Digital in the Museum (2021)Moving Spaces Enacting Dance,…Projects, Precarity, and the Ontology of Dance Works (2019)Projects, Precarity, and the …Prolegomena to an Apology for Pragmaticism (1906)Precarity Talk: A Virtual Roundtable with Lauren Berlant, Judith Butler, Bojana Cvejić, Isabell Lorey, Jasbir Puar, and Ana Vujanović (2012)Art and its Objects (2015)Techniques of the body ∗ (1973)The Archive and the Repertoire (2003)Artificial hells: participatory art and the politics of spectatorship (2013)The Innovative Design of a Museum Education System in China based on Visitor Perception Analysis (2024)Welcome to the experience economy. (1998)Critique of the Power of Judgment (2000)How do you feel — now? The anterior insula and human awareness (2008)Reward Systems in Art, Science, and Religion (1976)Dance and the Gallery: Curation as Revision (2015)The Cambridge Introduction to Performance Theory (2016)Social Memory Studies: From “Collective Memory” to the Historical Sociology of Mnemonic Practices (1998)Exhibiting Interaction: Conduct and Collaboration in Museums and Galleries (2001)Using the contextual model of learning to understand visitor learning from a science center exhibition (2005)The Rediscovery of the Mind (1992)On Two Metaphors for Learning and the Dangers of Choosing Just One (1998)A Set of Principles for Conducting and Evaluating Interpretive Field Studies in Information Systems1 (1999)Playing to the Senses: Food as a Performance Medium (1999)Theatricality: The Specificity of Theatrical Language (2002)Audience Participation and Neoliberal Value: Risk, agency and responsibility in immersive theatre (2013)The Primacy of the Ethical: Propositions for a Militant Anthropology (1995)Violence and the Social Construction of Ethnic Identity (2000)The sharing economy: A pathway to sustainability or a nightmarish form of neoliberal capitalism? (2015)Epilogue: Modernism after Postmodernism (2017)Introduction: A History of “Modernism” (2017)Modernist Temporality: The Science and Philosophy and Aesthetics of Temporality from 1880 (2017)
this work references cited by second hop

References

  • 1974The Archaeology of Knowledge.3,891 cited
  • 1973The archaeology of knowledge2,823 cited
  • 1996The Birth of the Museum: History, Theory, Politics1,533 cited
  • 1995The Birth of the Museum: History, Theory, Politics1,033 cited
  • 1968Minimal Art : A Critical Anthology210 cited
  • 1968Minimal art: a critical anthology105 cited
  • 2015Poetics of Dance104 cited

Cited by

  • 2022Proprioceptive art: How should it be defined, and why has it become so popular?11 cited
  • 2019Projects, Precarity, and the Ontology of Dance Works7 cited
  • 2021Moving Spaces Enacting Dance, Performance, and the Digital in the Museum6 cited
  • 2023The influence of visitors’ specific motor actions on the perception and evaluation of museum exhibits1 cited

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