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Expertise, the academy and the governance of cultural policy
16 references·16 citing·24 second hopsampled
Expertise, the academy and the governance of cultural policy (2013)Expertise, the academy and the governance…The Future of Intellectuals and the Rise of the New Class (2018)The Future of Intellectuals a…What are Universities For (2012)What are Universities ForTrojan horse or Rorschach blot? Creative industries discourse around the world (2009)Trojan horse or Rorschach blo…Creativity and the Experts (2008)Creativity and the ExpertsCreativity: from discourse to doctrine? (2007)Creativity: from discourse to…The New Spirit of Capitalism (2005)The New Spirit of CapitalismThe New Spirit of Capitalism (2005)The New Spirit of CapitalismIntimations of Post-Modernity (2005)Intimations of Post-ModernityThe Rise of the Creative Class (2002)The Rise of the Creative ClassRepresentations of the Intellectual (1994)Representations of the Intell…Intimations of Postmodernity (1993)Intimations of PostmodernityCapitalism and communication : global culture and the economics of information (1990)Capitalism and communication …The Future of Intellectuals and the Rise of the New Class (1979)The Future of Intellectuals a…The Coming of the Post-Industrial Society (1976)The Coming of the Post-Indust…The Coming of Post-Industrial Society (1974)The Coming of Post-Industrial…The Role of Applied Social Science in the Formation of Policy: A Research Memorandum (1949)The Role of Applied Social Sc…Digitalisation of Creative Industries Fostered by Collaborative Governance: Public Innovation Labs in Gipuzkoa (2021)Digitalisation of Creative In…Developing Cultural Industries: Learning from the Palimpsest of Practice (2020)Developing Cultural Industrie…The Cultural Turn in International Aid (2019)The Cultural Turn in Internat…Challenges of cultural industry knowledge exchange in live performance audience research (2019)Challenges of cultural indust…Subjective well-being in cultural advocacy: a politics of research between the market and the academy (2018)Subjective well-being in cult…Street art in non-capital urban centres: between exploiting commercial appeal and expressing social concerns (2018)Street art in non-capital urb…The creative economy: invention of a global orthodoxy (2017)The creative economy: inventi…License to judge: fleshing out expertise in cultural policy (2017)License to judge: fleshing ou…From creative city to generative governance of the cultural policy system? The case of Barcelona's candidature as UNESCO City of Literature (2017)From creative city to generat…Regulating for creativity and cultural diversity: the case of collective management organisations and the music industry (2016)Regulating for creativity and…On the Vagaries of Production Research (2016)On the Vagaries of Production…Illuminating the practice of Knowledge Exchange as a ‘pathway to impact’ within an Arts and Humanities Research Council ‘Creative Economy Knowledge Exchange’ project (2016)Illuminating the practice of …Shaping screen talent: Conceptualising and developing the film and TV workforce in Scotland (2015)Shaping screen talent: Concep…Governing culture: Legislators, interpreters and accountants (2015)Governing culture: Legislator…From data source to co-researchers? Tracing the shift from ‘student voice’ to student–teacher partnerships in Educational Action Research (2015)From data source to co-resear…Steering a review: some reflections on a gig (2013)Steering a review: some refle…A PUBLIC MANAGEMENT FOR ALL SEASONS? (1991)The Knowledge Economy (2004)In the Social Factory? (2008)Precarity as a Political Concept, or, Fordism as Exception (2008)Apocalypse Forever? (2010)CURRENT RESEARCH IN SOCIAL PSYCHOLOGY (1996)When things strike back: a possible contribution of ‘science studies’ to the social sciences (2000)The tourist experience (2005)The Nation in History: Historiographical Debates about Ethnicity and Nationalism (2000)Toward a Sounder Basis for Class Analysis (2000)Transforming Technology: A Critical Theory Revisited (2002)A Sociology of the Unmarked: Redirecting Our Focus (1998)The Standpoint of Storyteller (2000)The truth about tourism (2006)Reframing Public Policy (2003)Creative Cities: Conceptual Issues and Policy Questions (2006)From resilience to resourcefulness (2012)The geographies of community disaster resilience (2014)The Reflexive Imperative in Late Modernity (2012)New Social Movements: A Critical Review (1997)Democracy and Expertise (2009)The Sociology of Elites (2012)Motility: mobility as capital (2004)On the nature of markets and their practices (2007)
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References

  • 2002The Rise of the Creative Class4,527 cited
  • 2005The New Spirit of Capitalism3,037 cited
  • 1976The Coming of the Post-Industrial Society2,777 cited
  • 1974The Coming of Post-Industrial Society2,772 cited
  • 2005The New Spirit of Capitalism1,677 cited
  • 2005Intimations of Post-Modernity1,119 cited
  • 1994Representations of the Intellectual1,060 cited
  • 1979The Future of Intellectuals and the Rise of the New Class990 cited
  • 1993Intimations of Postmodernity772 cited
  • 2018The Future of Intellectuals and the Rise of the New Class690 cited
  • 2012What are Universities For685 cited
  • 1990Capitalism and communication : global culture and the economics of information552 cited
  • 2007Creativity: from discourse to doctrine?126 cited
  • 2009Trojan horse or Rorschach blot? Creative industries discourse around the world117 cited
  • 2008Creativity and the Experts100 cited
  • 1949The Role of Applied Social Science in the Formation of Policy: A Research Memorandum77 cited

Cited by

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  • 2015From data source to co-researchers? Tracing the shift from ‘student voice’ to student–teacher partnerships in Educational Action Research94 cited
  • 2017From creative city to generative governance of the cultural policy system? The case of Barcelona's candidature as UNESCO City of Literature40 cited
  • 2018Subjective well-being in cultural advocacy: a politics of research between the market and the academy31 cited
  • 2016Regulating for creativity and cultural diversity: the case of collective management organisations and the music industry26 cited
  • 2015Governing culture: Legislators, interpreters and accountants23 cited
  • 2021Digitalisation of Creative Industries Fostered by Collaborative Governance: Public Innovation Labs in Gipuzkoa22 cited
  • 2020Developing Cultural Industries: Learning from the Palimpsest of Practice21 cited
  • 2016Illuminating the practice of Knowledge Exchange as a ‘pathway to impact’ within an Arts and Humanities Research Council ‘Creative Economy Knowledge Exchange’ project18 cited
  • 2017The creative economy: invention of a global orthodoxy15 cited
  • 2019The Cultural Turn in International Aid14 cited
  • 2017License to judge: fleshing out expertise in cultural policy13 cited
  • 2019Challenges of cultural industry knowledge exchange in live performance audience research12 cited
  • 2018Street art in non-capital urban centres: between exploiting commercial appeal and expressing social concerns11 cited
  • 2015Shaping screen talent: Conceptualising and developing the film and TV workforce in Scotland10 cited
  • 2016On the Vagaries of Production Research9 cited
  • 2013Steering a review: some reflections on a gig7 cited