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Chemical Analysis and Painted Colours: the Mystery of Leonardo's Sfumato
16 references·0 citing·36 second hop
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References

  • 2010Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy326 cited
  • 2010In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach243 cited
  • 2011Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings190 cited
  • 2008Leonardo da Vinci: the marvellous works of nature and man136 cited
  • 2004Ion beam analysis of art works: 14 years of use in the Louvre129 cited
  • 1983:Leonardo da Vinci, The Marvellous Works of Nature and Man102 cited
  • 2008A portable instrument for in situ determination of the chemical and phase compositions of cultural heritage objects101 cited
  • 2007Classification of lead white pigments using synchrotron radiation micro X-ray diffraction88 cited
  • 2009Multilayers quantitative X-ray fluorescence analysis applied to easel paintings73 cited
  • 2010Revealing the sfumato Technique of Leonardo da Vinci by X‐Ray Fluorescence Spectroscopy66 cited
  • 2006Investigation of white pigments used as make-up during the Greco-Roman period56 cited
  • 2008Saving art in situ51 cited
  • 2008Multispectral camera and radiative transfer equation used to depict Leonardo's sfumato in Mona Lisa51 cited
  • 2009Historical evolution of oil painting media: A rheological study44 cited

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  • 2010X-ray diffraction studies of Pompeian wall paintings using synchrotron radiation and dedicated laboratory made systems42 cited
  • 2007Leonardo Da Vinci: 1452-1519: The Complete Paintings and Drawings32 cited
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