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Cited by

• 2022Sequence alignment of folk song melodies reveals cross-cultural regularities of musical evolution75 cited
• 2000The Education of the Folk: Peasant Schools and Folklore Scholarship34 cited
• 2006Gathering the voices of the people? Cecil Sharp, cultural hybridity, and the folk music of Appalachia22 cited
• 2009Continuity, change and performativity in leisure: English folk dance and modernity 1900–193922 cited
• 2001Landscape Preservation, ‘advertising disfigurement’, and English National Identity c. 1890–191421 cited
• 2002Cecil Sharp in Somerset: Some Reflections on the Work of David Harker16 cited
• 2013Folksong arrangements, hymn tunes and church music15 cited
• 2010Documenting Traditions and the Ethnographic Double Bind10 cited
• 2007Appalachian Songcatcher: Olive Dame Campbell and the Scotch-Irish Ballad4 cited
• 2007Alice Shortcake, Jenny Pluckpears, and the Stratford-Upon-Avon Connections of Vaughan Williams's 'Sir John in Love'4 cited
• 2011"This Murder Done": Misogyny, Femicide, and Modernity in 19th-Century Appalachian Murder Ballads3 cited
• 1979Nursing On Troublesome: Erna Kuhn in Knott County, Kentucky,1917-19181 cited