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Among the mothers and the children of the “disappeared” in Argentina, performance of various kinds is a way of marking, accusing, and remembering. How can performance transmit traumatic memory? How do those of us who have not suffered the violence come to understand it? And how do we participate, in our own ways, in further transmitting it?
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Stored only when both papers are in the corpus — 73 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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