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In this article I shall argue for two points: first, that Col 1. 15–20 exhibits, without the deletion of any of its parts, a clear structure which can, in some meaningful senses, be called ‘poetic’; second, that the passage,read as a poemin the way I shall suggest, exhibits a characteristically Pauline form of what we may call Christological monotheism. This will point on to some further suggestions regarding the place of the passage within Colossians as a whole.
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Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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