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Buck Owens, country music, and the struggle for discursive control
16 references·3 citing·31 second hop
Buck Owens, country music, and the struggle for discursive control (1990)Buck Owens, country music, and the strugg…Culture Industry Reconsidered (2017)Culture Industry ReconsideredThe Nashville Sound: Bright Lights and Country Music (2015)The Nashville Sound: Bright L…The Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…3.2. MARXISM AND LITERATURE (2006)3.2. MARXISM AND LITERATUREMusic and Society: The Politics of Composition, Performance and Reception. (1988)Music and Society: The Politi…The Problem of Ideology-Marxism without Guarantees (1986)The Problem of Ideology-Marxi…Sensual Surfaces and Stylistic Excess: The Pleasure and Politics of Miami Vice (1986)Sensual Surfaces and Stylisti…On Postmodernism and Articulation (1986)On Postmodernism and Articula…Articulating musical meaning/re-constructing musical history/locating the ‘popular’ (1985)Articulating musical meaning/…The Essential Frankfurt School Reader (1984)The Essential Frankfurt Schoo…Capitalism and Romantic ideology in the record business (1983)Capitalism and Romantic ideol…‘The magic that can set you free’: the ideology of folk and the myth of the rock community (1981)‘The magic that can set you f…Marxism and Literature (1977)Marxism and LiteratureCulture Industry Reconsidered (1975)Culture Industry ReconsideredReadings in Russian poetics (1971)Readings in Russian poeticsOn Popular Music (1941)On Popular MusicThe Racial Limitations of Country-Soul Crossover in Bobby Womack's BW Goes C&W, 1976 (2020)The Racial Limitations of Cou…“Together Again,” but We Keep On Crying (2019)“Together Again,” but We Keep…Thai Popular Music (2012)Thai Popular MusicMarxism and the philosophy of language (1973)Collective Identity Formation and the International State (1994)Utopian Enterprise: Articulating the Meanings ofStar Trek's Culture of Consumption : Figure 1 (2001)Stuart Hall: Critical Dialogues in Cultural Studies (2006)Disjuncture and Difference in the Global Cultural Economy (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Extended Self in a Digital World: Table 1. (2013)3. Constructing National Interests (1996)The Color of Supremacy: Beyond the discourse of ‘white privilege’ (2004)Intersectionality's Definitional Dilemmas (2015)Place as Historically Contingent Process: Structuration and the Time-Geography of Becoming Places (1984)IMPERIAL DEBRIS: Reflections on Ruins and Ruination (2008)INDIGENOUS COSMOPOLITICS IN THE ANDES: Conceptual Reflections beyond “Politics” (2010)Researching youth culture and popular music: a methodological critique (2002)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)The mp3 as cultural artifact (2006)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Analysing Discourse: Textual Analysis for Social Research (2003)Cruising utopia: the then and there of queer futurity (2010)Subcultural identity in alternative music culture (1993)Consolidating the music scenes perspective (2004)Media Populism: A Conceptual Clarification and Some Theses on its Effects (2014)What is Political? (1999)Inhabiting the Car (2006)The Work of Global Justice: Human Rights as Practices (2007)MEDIA AND THE SOCIAL CONSTRUCTION OF REALITY (1984)Producing Artistic Value: The Case of Rock Music (1994)Insect Media: An Archaeology of Animals and Technology (2010)Landscape as Spectacle: World's Fairs and the Culture of Heroic Consumption (1988)Cultural tourism behaviour and preferences among the live‐performing arts audience: an application of the univorous–omnivorous framework (2009)The Perfect Storm: A Subcultural Analysis of the QAnon Movement (2021)
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References

  • 20063.2. MARXISM AND LITERATURE4,509 cited
  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 1977Marxism and Literature2,637 cited
  • 1986The Problem of Ideology-Marxism without Guarantees1,105 cited
  • 1986On Postmodernism and Articulation1,070 cited
  • 1988Music and Society: The Politics of Composition, Performance and Reception.596 cited
  • 1941On Popular Music400 cited
  • 1975Culture Industry Reconsidered266 cited
  • 1984The Essential Frankfurt School Reader253 cited
  • 1981‘The magic that can set you free’: the ideology of folk and the myth of the rock community243 cited
  • 2017Culture Industry Reconsidered184 cited
  • 1971Readings in Russian poetics159 cited
  • 1986Sensual Surfaces and Stylistic Excess: The Pleasure and Politics of Miami Vice86 cited
  • 1983Capitalism and Romantic ideology in the record business48 cited
  • 2015The Nashville Sound: Bright Lights and Country Music45 cited
  • 1985Articulating musical meaning/re-constructing musical history/locating the ‘popular’22 cited

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Cited by

  • 2012Thai Popular Music4 cited
  • 2020The Racial Limitations of Country-Soul Crossover in Bobby Womack's BW Goes C&W, 19763 cited
  • 2019“Together Again,” but We Keep On Crying3 cited