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On the Use and Abuse of "Orality" for Art: Reflections on Romantic and Late Twentieth-Century Poiesis
16 references·0 citing·27 second hop
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References

  • 1982Orality and Literacy7,079 cited
  • 1979The Domestication of the Savage Mind.1,412 cited
  • 1978Oral Poetry: Its Nature, Significance and Social Context619 cited
  • 1989The Muse Learns to Write: Reflections on Orality and Literacy from Antiquity to the Present403 cited
  • 1988The Muse Learns to Write: Reflections on Orality and Literacy from Antiquity to the Present394 cited
  • 1999England in 1819: The Politics of Literary Culture and the Case of Romantic Historicism324 cited
  • 1999The Making of Percy's Reliques231 cited
  • 1992Crimes of Writing: Problems in the Containment of Representation.216 cited
  • 1990The Sublime Savage: A Study of James Macpherson and the Poems of Ossian189 cited
  • 1983Poems in Two Volumes, and Other Poems, 1800-1807184 cited
  • 1998(G.) Nagy Poetry as performance: Homer and beyond. Cambridge, 1996. Pp. x + 254. £37.50 (£13.95 pb). 0521551358 (0521558484 pb).166 cited
  • 1988Fakesong. The Manufacture of British 'Folksong' 1700 to the Present Day151 cited
  • 2000Close listening : poetry and the performed word132 cited
  • 1999From Gaelic to Romantic: Ossianic Translations114 cited
  • 2021The Poems of Ossian and Related Works107 cited

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  • 1995The last of the race: the growth of a myth from Milton to Darwin73 cited
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