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Material analyses of ‘Christ with singing and music-making Angels’, a late 15th-C panel painting attributed to Hans Memling and assistants: Part I. non-invasive in situ investigations

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References

2008Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping317 cited
2010In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach243 cited
2010Fluorescence Spectroscopy: A Powerful Technique for the Noninvasive Characterization of Artwork187 cited
2009FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings148 cited
2008Vibrational and electronic properties of painting lakes145 cited
2010Synchrotron-Based X-ray Absorption Spectroscopy for Art Conservation: Looking Back and Looking Forward144 cited
1970VERDIGRIS AND COPPER RESINATE144 cited
2009Characterization of a Degraded Cadmium Yellow (CdS) Pigment in an Oil Painting by Means of Synchrotron Radiation Based X-ray Techniques143 cited
1999Spectrochemical characterization by micro-FTIR spectroscopy of blue pigments in different polychrome works of art143 cited
2008Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings140 cited
2010Photon-Based Techniques for Nondestructive Subsurface Analysis of Painted Cultural Heritage Artifacts124 cited
2008Raman scattering features of lead pyroantimonate compounds. Part I: XRD and Raman characterization of Pb2Sb2O7 doped with tin and zinc121 cited
2009Identification of reaction compounds in micrometric layers from gothic paintings using combined SR-XRD and SR-FTIR

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106 cited

2008The identification of copper oxalates in a 16th century Cypriot exterior wall painting using micro FTIR, micro Raman spectroscopy and Gas Chromatography-Mass Spectrometry103 cited

2008A portable instrument for in situ determination of the chemical and phase compositions of cultural heritage objects101 cited

2006Non-invasive identification of surface materials on marble artifacts with fiber optic mid-FTIR reflectance spectroscopy96 cited

Cited by

2012Shades of green in 15th century paintings: combined microanalysis of the materials using synchrotron radiation XRD, FTIR and XRF50 cited
2018In situ macro X-ray fluorescence (MA-XRF) scanning as a non-invasive tool to probe for subsurface modifications in paintings by P.P. Rubens46 cited
2016Disclosing Jackson Pollock’s palette in Alchemy (1947) by non-invasive spectroscopies45 cited
2018The Bone Black Pigment Identification by Noninvasive, In Situ Infrared Reflection Spectroscopy39 cited
2013Wall paintings studied using Raman spectroscopy: A comparative study between various assays of cross sections and external layers39 cited
2014Non-destructive micro-analytical differentiation of copper pigments in paint layers of works of art using laboratory-based techniques36 cited
2024X-ray fluorescence (XRF) on painted heritage objects: a review using topic modeling34 cited
2016Combined 1D, 2D and 3D micro-XRF techniques for the analysis of illuminated manuscripts34 cited
2016Late Gothic/early Renaissance gilding technology and the traditional poliment material “Armenian bole”: Truly red clay, or rather bauxite?34 cited
2015Evaluation of portable Raman spectroscopy and handheld X-ray fluorescence analysis (hXRF) for the direct analysis of glyptics31 cited
2017Large‐Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment29 cited
2014In‐situ and laboratory Raman analysis in the field of cultural heritage: the case of a mural painting28 cited
2021The chemistry of making color in art27 cited
2023Color and Light: A Hellenistic Terracotta Figurine of a Maenad from Myrina26 cited
2019Tracking Metal Oxalates and Carboxylates on Painting Surfaces by Non-invasive Reflection Mid-FTIR Spectroscopy25 cited
2021On-site contactless surface analysis of modern paintings from Galleria Nazionale (Rome) by reflectance FTIR and Raman spectroscopies22 cited