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Interpreting the Pictorial Record: Theatre Iconography and the Referential Dilemma
10 references·2 citing·31 second hop
Interpreting the Pictorial Record: Theatre Iconography and the Referential Dilemma (1997)Interpreting the Pictorial Record: Theatr…The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble (1993)The Image of the Actor: Verba…Visual Theory: Painting and Interpretation (1992)Visual Theory: Painting and I…The image of the actor: verbal and visual representation in the age of Garrick and Kemble (1991)The image of the actor: verba…Garrick, iconic acting, and the ideologies of theatrical portraiture (1990)Garrick, iconic acting, and t…:Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (1989):Shakespearean Negotiations: …Shakespearean Negotiations (1988)Shakespearean NegotiationsThe Player's Passion: Studies in the Science of Acting (1986)The Player's Passion: Studies…Hogarth: His Life, Art and Times (1972)Hogarth: His Life, Art and Ti…Meaning in the Visual Arts (1958)Meaning in the Visual ArtsLV Nature to Advantage Dressed: Eighteenth-Century Acting (1943)LV Nature to Advantage Dresse…Picturing Nineteenth-Century Female Theatre Managers: the Iconology of Eliza Vestris and Sara Lane (2017)Picturing Nineteenth-Century …Ora, direis ouvir estrelas: historiografia e história do teatro brasileiro (2001)Ora, direis ouvir estrelas: h…Philological Quarterly (1922)The Sister Arts: The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray (1959)Iconology (1986)The Power of the Passive Self in English Literature, 1640–1770 (2002)Garrick among Media: The “NowPerformer” Navigates the News (2011)David Garrick and the Mediation of Celebrity (2019)Visual Metaphor (1994)On the Need to Ask How, Exactly, Is Geography “Visual”? (2003)The Cambridge History of Modernism (2017)The New Sociology of Knowledge (1994)Literature, Nationalism, and Memory in Early Modern England and Wales (2004)Methodology of the Oppressed (2010)Multimodality in the TESOL Classroom: Exploring Visual-Verbal Synergy (2002)Qualitative Analysis and Documentary Method: In International Educational Research (2010)The levels of visual framing (2011)Garrick's Body and the Labor of Art in Eighteenth-Century Theater (1996)The Illustrated Shakespeare, 1709–1875 (2008)Liszt and the Symphonic Poem (2017)Stage Fright, Animals, and Other Theatrical Problems (2006)The Cambridge Introduction to Theatre Studies (2008)In the eye of the beholder? Universality and cultural specificity in the expression and perception of emotion (2011)Skin deep: Barthes, Lavater and the legible body (1985)The Cambridge History of British Theatre (2004)Charles Dickens and 'Boz': the birth of the industrial-age author (2013)The Rhetoric of Sensibility in Eighteenth-Century Culture (2004)Expressionism and Modernism in the American Theatre (2005)Touching Byron: Masculinity and the Celebrity Body in the Romantic Period (2010)Politics, Patriotism, and Gender: The Standing Army Debate on the English Stage, circa 1689–1720 (2011)The Hermaphrodite and the Orders of Nature: Sexual Ambiguity in Early Modern France (1995)Statius'Silvaeand the Poetics of Empire (2002)Voice and the Victorian Storyteller (2005)
this work references cited by second hop

References

  • 1988Shakespearean Negotiations1,102 cited
  • 1986The Player's Passion: Studies in the Science of Acting534 cited
  • 1989:Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England504 cited
  • 1958Meaning in the Visual Arts434 cited
  • 1992Visual Theory: Painting and Interpretation150 cited
  • 1972Hogarth: His Life, Art and Times125 cited
  • 1943LV Nature to Advantage Dressed: Eighteenth-Century Acting97 cited
  • 1993The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble82 cited
  • 1991The image of the actor: verbal and visual representation in the age of Garrick and Kemble55 cited
  • 1990Garrick, iconic acting, and the ideologies of theatrical portraiture30 cited

Cited by

  • 2001Ora, direis ouvir estrelas: historiografia e história do teatro brasileiro9 cited
  • 2017Picturing Nineteenth-Century Female Theatre Managers: the Iconology of Eliza Vestris and Sara Lane3 cited

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