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A Score of Change: Twenty Years of Critical Musicology and Victorian Literature
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A Score of Change: Twenty Years of Critical Musicology and Victorian Literature (2011)A Score of Change: Twenty Years of Critic…Essays: Scientific, Political and Speculative (2021)Essays: Scientific, Political…THE RENAISSANCE: STUDIES IN ART AND POETRY (2019)THE RENAISSANCE: STUDIES IN A…Victorian Soundscapes (2003)Victorian SoundscapesThe Cultural study of music: a critical introduction (2003)The Cultural study of music: …Aubrey Beardsley and British Wagnerism in the 1890s (2002)Aubrey Beardsley and British …The Cambridge Companion to Victorian Poetry (2000)The Cambridge Companion to Vi…Embodied Voices: Representing Female Vocality in Western Culture (1995)Embodied Voices: Representing…The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)The Imaginary Museum of Music…Feminine Endings: Music, Gender, and Sexuality (1992)Feminine Endings: Music, Gend…Nineteenth-century music (1989)Nineteenth-century musicContemplating Music: Challenges to Musicology (1989)Contemplating Music: Challeng…How We Got into Analysis, and How to Get out (1980)How We Got into Analysis, and…The Four Fundamental Concepts of Psycho-Analysis (1979)The Four Fundamental Concepts…Language, Counter-Memory, Practice: Selected Essays and Interviews (1978)Language, Counter-Memory, Pra…Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna (1976)Music and the Middle Class: T…The Order of Things: An Archaeology of the Human Sciences. (1971)The Order of Things: An Archa…Victorian gothic soundscapes (2018)Victorian gothic soundscapesThe Imaginary Museum of Musical Works (1994)Catholicism, Sexual Deviance, and Victorian Gothic Culture (2006)Time and the Moment in Victorian Literature and Society (2011)Musicology as a Political Act (1993)Jazz Among the Discourses (1995)Discourse Analysis Organizational Analysis (2000)In the mirror of the market: The disciplinary effects of company/fund manager meetings (2005)No one is perfect: The limits of transparency and an ethic for ‘intelligent’ accountability (2009)Social Memory Studies: From “Collective Memory” to the Historical Sociology of Mnemonic Practices (1998)The surveillant assemblage (2000)Why Study Problematizations? Making Politics Visible (2012)The Dahlhaus Project and Its Extra-Musicological Sources (1991)Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space (2000)The Cambridge History of Music Criticism (2019)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Actor-Networks in Music History: Clarifications and Critiques (2014)Class, Control, and Classical Music (2019)Doing anthropology in sound (2004)Rethinking the Soundscape (2010)Soundscapes: Toward a Sounded Anthropology (2010)Action and embodiment within situated human interaction (2000)Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter (2003)Visible Identities (2006)What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival (2005)Put to the test: For a new sociology of testing (2020)Performing the (Sound)World (2000)Psychology for Musicians (2007)What Is Sociological about Music? (2010)
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References

  • 1971The Order of Things: An Archaeology of the Human Sciences.8,100 cited
  • 1978Language, Counter-Memory, Practice: Selected Essays and Interviews2,723 cited
  • 1979The Four Fundamental Concepts of Psycho-Analysis853 cited
  • 2019THE RENAISSANCE: STUDIES IN ART AND POETRY709 cited
  • 1992Feminine Endings: Music, Gender, and Sexuality649 cited
  • 1989Nineteenth-century music628 cited
  • 2003The Cultural study of music: a critical introduction609 cited
  • 2003Victorian Soundscapes402 cited
  • 1989Contemplating Music: Challenges to Musicology350 cited
  • 1993The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music329 cited
  • 2021Essays: Scientific, Political and Speculative297 cited
  • 1980How We Got into Analysis, and How to Get out257 cited
  • 1995Embodied Voices: Representing Female Vocality in Western Culture198 cited
  • 2000The Cambridge Companion to Victorian Poetry178 cited
  • 1976Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna177 cited
  • 2002Aubrey Beardsley and British Wagnerism in the 1890s

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167 cited

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  • 2018Victorian gothic soundscapes6 cited