Embodiment and Ambivalence: Emotion in South Asian Muharram DrummingRichard Kent Wolf2000-01-01articleYearbook for Traditional Music90 citationsgreenNo readable copy stored yet — this record is metadata only.Musicology and Musical AnalysisArts and Performance StudiesDiverse Musicological StudiesAbstractMusicCitations in this libraryStored only when both papers are in the corpus — 90 citations exist upstream.References1996meaning and feeling in the anthropology of emotions1991Music and Discourse: Toward a Semiology of Music1999Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music1996Listen to the Heron's Words: Reimagining Gender and Kinship in North India2015Making Music Together: A Study in Social Relationship1989The Historical Dimension in Mortuary Expressions of Status and Sentiment [and Comments and Reply]1992Celebrations of death: the anthropology of mortuary ritual1988The Logic and Meaning of Anger Among Pintupi AboriginesCited by2015Tellings and Texts2006The poetics of “Sufi” practice: Drumming, dancing, and complex agency at Madho Lāl Husain (and beyond)2014The Voice in the Drum: Music, Language, and Emotion in Islamicate South Asia20159. Listening for the Context: Tuning in to the Reception of Riti Poetry12015The Intermediate Sphere in North Indian Music Culture: Between and Beyond “Folk” and “Classical”201512. Texts and Tellings: Kathas in the Fifteenth and Sixteenth Centuries2010Dancing in Opposition: Muchongoyo , Emotion, and the Politics of Performance in Southeastern Zimbabwe2009Chapter 11 Modes of Theorizing in Iranian Khorasan