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Reactions to Analog Fetishism in Sound-Recording Cultures
15 references·5 citing·33 second hop
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References

  • 1968Illuminations: Essays and Reflections3,839 cited
  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 1989Noise, the Political Economy of Music710 cited
  • 2002Authenticity as authentication485 cited
  • 2001The Cambridge Companion to Pop and Rock300 cited
  • 2002The poetics of rock: cutting tracks, making records235 cited
  • 2013MP3: the meaning of a format205 cited
  • 2006Sound ideas: music, machines, and experience176 cited
  • 2005Wired for sound: engineering and technologies in sonic cultures166 cited
  • 2005DIY: The Rise of Lo-Fi Culture133 cited
  • 2004Golden Ears and Meter Readers102 cited
  • 2004Engineering the Performance85 cited
  • 2002Music Mediated as Live in Austin: sound, technology, and recording practice74 cited
  • 1989When Old Technologies Were New: Thinking about Communications in the Late Nineteenth Century71 cited

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  • 2019Digital disruption in the music industry: The case of the compact disc

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22 cited
  • 2018Making Room for 21st Century Musicianship in Higher Education8 cited
  • 2022Des cultures enregistrées aux cultures de l’enregistrement : l’ethnomusicologie à un tournant épistémologique ?4 cited
  • 2025A Uses and Gratifications Approach to Examining Lo-Fi Music Genre Popularity among Indian Gen Z during the COVID-19 Pandemic3 cited
  • 2020Rethinking criticism about lossy compression: Sound fidelity, large-scale production and audio capital in pop music3 cited