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Copyright and musicians at the digital margins
16 references·1 citing·36 second hop
Copyright and musicians at the digital margins (2015)Copyright and musicians at the digital ma…The Death and Life of the Music Industry in the Digital Age (2013)The Death and Life of the Mus…Mala Bizta Sochal Klu: underground, alternative and commercial in Havana hip hop (2012)Mala Bizta Sochal Klu: underg…Framing the consumer (2012)Framing the consumerCreative Labour: Media Work in Three Cultural Industries (2012)Creative Labour: Media Work i…Copyright and cultural work: an exploration (2012)Copyright and cultural work: …Digital opportunity: a review of intellectual property and growth (2011)Digital opportunity: a review…Creative License: The Law and Culture of Digital Sampling (2011)Creative License: The Law and…Music and cyberliberties (2010)Music and cyberlibertiesAppetite for self-destruction: the spectacular crash of the record industry in the digital age (2010)Appetite for self-destruction…Rethinking the music industry (2007)Rethinking the music industryGowers review – Intellectual property (2007)Gowers review – Intellectual …Impact of Legal Threats on Online Music Sharing Activity: An Analysis of Music Industry Legal Actions (2006)Impact of Legal Threats on On…HOW TO BEST ENSURE REMUNERATION FOR CREATORS IN THE MARKET FOR MUSIC? COPYRIGHT AND ITS ALTERNATIVES (2006)HOW TO BEST ENSURE REMUNERATI…Music and Copyright (2004)Music and Copyright7 Musicians (2004)7 MusiciansCopyright and the music business (1988)Copyright and the music busin…Distributed Ownership in Music (2017)Distributed Ownership in MusicCrime and Punishment: An Economic Approach (1968)Measuring security price performance (1980)Event Studies in Economics and Finance (1997)Music file sharing and sales displacement in the iTunes era (2010)On-demand streaming services and music industry revenues — Insights from Spotify's market entry (2015)Industry 4.0 technologies, digital trust and technological orientation: What matters in open innovation? (2020)Economic Welfare and the Allocation of Resources for Invention (1962)Information Rules: A Strategic Guide to the Network Economy (1999)Information Rules: A Strategic Guide to the Network Economy (2000)Optimal Pricing of Digital Experience Goods Under Piracy (2007)The economics of copyright law: a stocktake of the literature (2008)What Can We Learn from Empirical Studies About Piracy? (2009)The Cambridge Companion to Pop and Rock (2001)The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry (2012)Why go to pop concerts? The motivations behind live music attendance (2016)What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector (2017)The rise of ‘user creativity’ – Web 2.0 and a new challenge for copyright law and cultural policy (2010)Regulating for creativity and cultural diversity: the case of collective management organisations and the music industry (2016)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)What Is Digital Labour? What Is Digital Work? What’s their Difference? And Why Do These Questions Matter for Understanding Social Media? (2013)Gender and Creative Labour (2015)Creativity in Business/Business in Creativity (2009)International patent systems strength 1998–2011 (2014)Patent enforcement across 51 countries – Patent enforcement index 1998–2017 (2020)Intangible Assets, Resource Allocation and Growth (2012)European Intermediary Liability in Copyright. A Tort-Based Analysis (2016)Third-mission policy goals and incentives from performance-based funding: Are they aligned? (2016)Musical exploration via streaming services: The Norwegian experience (2016)Financing new creative enterprise through blockchain technology: Opportunities and policy implications (2019)Platform pop: disentangling Spotify’s intermediary role in the music industry (2020)Intellectual Property Strategy and the Long Tail: Evidence from the Recorded Music Industry (2014)Intertextuality, sampling, and copyright (2015)Intellectual Property Strategy and the Long Tail: Evidence from the Recorded Music Industry (2016)Organizational ignorance: Towards a managerial perspective on the unknown (2012)‘Let's keep music special. F—Spotify’: on-demand streaming and the controversy over artist royalties (2015)Is music streaming bad for musicians? Problems of evidence and argument (2020)
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References

  • 2012Creative Labour: Media Work in Three Cultural Industries715 cited
  • 2007Rethinking the music industry261 cited
  • 2011Digital opportunity: a review of intellectual property and growth206 cited
  • 2006Impact of Legal Threats on Online Music Sharing Activity: An Analysis of Music Industry Legal Actions181 cited
  • 2007Gowers review – Intellectual property162 cited
  • 2010Appetite for self-destruction: the spectacular crash of the record industry in the digital age156 cited
  • 2013The Death and Life of the Music Industry in the Digital Age96 cited
  • 2011Creative License: The Law and Culture of Digital Sampling89 cited
  • 2006HOW TO BEST ENSURE REMUNERATION FOR CREATORS IN THE MARKET FOR MUSIC? COPYRIGHT AND ITS ALTERNATIVES83 cited
  • 2004Music and Copyright80 cited
  • 1988Copyright and the music business79 cited
  • 2010Music and cyberliberties68 cited
  • 20047 Musicians53 cited
  • 2012Copyright and cultural work: an exploration39 cited
  • 2012Framing the consumer25 cited
  • 2012Mala Bizta Sochal Klu: underground, alternative and commercial in Havana hip hop

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  • 2017Distributed Ownership in Music12 cited