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The Bottom of Desire in Suzan-Lori Parks's Venus
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The Bottom of Desire in Suzan-Lori Parks's Venus (2002)The Bottom of Desire in Suzan-Lori Parks'…Proust and Signs: The Complete Text (2014)Proust and Signs: The Complet…Staging Place: The Geography of Modern Drama (1999)Staging Place: The Geography …The Re-Objectification and Re-Commodification of Saartjie Baartman in Suzan-Lori Parks's 'Venus.' (Khoi-San Native of South Africa Publicly Displayed as the Hottentot Venus in 1810 in London and Paris; Playwright) (1997)The Re-Objectification and Re…Mimesis, Masochism, and Mime (1997)Mimesis, Masochism, and MimeWhat Is Philosophy? (1996)What Is Philosophy?Suzan-Lori Parks and Liz Diamond: Doo-a-Diddly-Dit-Dit: An Interview (1995)Suzan-Lori Parks and Liz Diam…Unfinished Business: Reconfiguring History in Suzan-Lori Parks's "The Death of the Last Black Man in the Whole Entire World" (1994)Unfinished Business: Reconfig…Workings of the Spirit: The Poetics of Afro-American Women's Writings (1993)Workings of the Spirit: The P…The colonial harem (1986)The colonial haremKafka: Toward a Minor Literature (1986)Kafka: Toward a Minor Literat…Basic Writings of Nietzsche (1968)Basic Writings of NietzscheHigher-order factors of the Big Five predict conformity: Are there neuroses of health? (2002)The Emergence of a Scientific Culture (2006)Hermeneutics and the Human Sciences (2019)Search, Swim and See: Deleuze's apprenticeship in signs and pedagogy of images (2004)The Folds of Experience, or: Constructing the pedagogy of values (2010)A shock to thought: Curatorial judgment and the public exhibition of ‘difficult knowledge’ (2011)Dismantling "The Master's House": Critical Literacy in Harriet Jacobs' Incidents in the Life of a Slave Girl (1996)Phillis Wheatley's Vocation and the Paradox of the “Afric Muse” (1998)Vygotsky and the Blues: Re-Reading Cultural Connections and Conceptual Development (2001)Suzan-Lori Parks's Drama of Disinterment: A Transnational Exploration of Venus (2008)Inside/Beside Dance Studies: A Conversation: Mellon Dance Studies in/and the Humanities (2013)Writing and the Modern Stage: Theater beyond Drama (2017)On taking the blind in hand (2000)Restaging the Nation: The Work of Suzan-Lori Parks (2000)Intensities of feeling: towards a spatial politics of affect (2004)Methodological Immaturity in Childhood Research? (2008)Blackness and Nothingness (Mysticism in the Flesh) (2013)Rabbits, Machines, and the Ontology of Performance (2005)THE ARTIFICE OF ETERNITY: A STUDY OF LITURGICAL AND THEATRICAL PRACTICES IN BYZANTIUM (2006)How Do You Make Yourself a Theatre without Organs? Deleuze, Artaud and the Concept of Differential Presence (2009)The World as Exhibition (1989)Citizens of Humanity: Internationalism and the Imagined Community of Nations (1994)Representing Nationality in China: Refiguring Majority/Minority Identities (1994)Nonhuman Charisma (2007)Methodology of the Oppressed (2010)Assemblage and geography (2011)Curiosity or Contempt: On Spectacle, the Human, and Activism (2003)Beyond Bambi: Toward a Dangerous Ecocriticism in Theatre Studies (2007)Ecocriticism (2011)
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References

  • 1986Kafka: Toward a Minor Literature2,522 cited
  • 1996What Is Philosophy?1,740 cited
  • 1968Basic Writings of Nietzsche978 cited
  • 1986The colonial harem304 cited
  • 2014Proust and Signs: The Complete Text187 cited
  • 1999Staging Place: The Geography of Modern Drama126 cited
  • 1997Mimesis, Masochism, and Mime46 cited
  • 1993Workings of the Spirit: The Poetics of Afro-American Women's Writings35 cited
  • 1995Suzan-Lori Parks and Liz Diamond: Doo-a-Diddly-Dit-Dit: An Interview26 cited
  • 1994Unfinished Business: Reconfiguring History in Suzan-Lori Parks's "The Death of the Last Black Man in the Whole Entire World"26 cited
  • 1997The Re-Objectification and Re-Commodification of Saartjie Baartman in Suzan-Lori Parks's 'Venus.' (Khoi-San Native of South Africa Publicly Displayed as the Hottentot Venus in 1810 in London and Paris; Playwright)25 cited

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