Exhibiting Cinema in Contemporary Art

2013-01-01bookAmsterdam University Press eBooks140 citationshybrid

No readable copy stored yet — this record is metadata only.

Cinema History and Criticism Art, Politics, and Modernism Visual Culture and Art Theory

Abstract

a collaborative initiative to develop and implement a sustainable Open Access publication model for academic books in the Humanities and Social Sciences.The OAPEN Library aims to improve the visibility and usability of high quality academic research by aggregating peer reviewed Open Access publications from across Europe.Sections of chapter one have previously appeared as a part of "Screening Rooms: The Movie Theatre in/and the Gallery," in Public: Art/Culture/Ideas  (), -.Sections of chapter two have previously appeared as "A Cinema in the Gallery, A Cinema in Ruins," Screen : (December ), -.Cover illustration (front): Pierre Bismuth, Following the Right Hand of Louise Brooks in Beauty Contest, .Marker pen on Plexiglas with c-print,  x  inches.

Citations in this library

Stored only when both papers are in the corpus — 140 citations exist upstream.

References

1980Power/Knowledge: Selected Interviews and Other Writings 1972-1977

2004Precarious Life: The Powers of Mourning and Violence

1977The Question Concerning Technology, and Other Essays

2001Camera Lucida: Reflections on Photography

2002The Language of New Media

1986On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection

1982The Political Unconscious. Narrative as a Socially Symbolic Act.

1983The Political Unconscious: Narrative as a Socially Symbolic Act

Cited by

2020Screen Space Reconfigured

2018A DIY Come-On: A History of Optical Printing in Avant-Garde Cinema

2017Toward a Public Media Archaeology: Museums, Media, and Historiography