Brecht in Hollywood: Hangmen Also Die and the Anti-Nazi Film

Gerd Gemünden

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Cinema History and Criticism German Literature and Culture Studies Theatre and Performance Studies

Abstract

Working as a freelancer, Brecht thought he could work Hollywood so that itwould provide him with both a living and a platform for his ideas. But only oneof his more than screenplays made it into production—the ill-fated collaborationwith Fritz Lang, Hangmen Also Die. Die beste Schule für Dialektik ist die Emigration. Die schrfsten Dialektiker sind die Flchtlinge. —Bertolt Brecht, Flüchtlingsgespräche (1967, 14:1462)

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1989The genius of the system: Hollywood filmmaking in the studio era 1993Geschichte des deutschen Films 1983Bertolt Brecht in America 1991Re-Interpreting Brecht: His Influence on Contemporary Drama and Film 1997Fritz Lang: The Nature of the Beast 1975Film bei Brecht : Bertolt Brechts praktische und theoretische Auseinandersetzung mit dem Film 1975Brecht Event II: Brecht and the Film Industry 1984Anti-Nazi-Filme der deutschsprachigen Emigration von Hollywood 1939-1945

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