The dastgah concept in Persian music

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Musicology and Musical Analysis Diverse Musicological Studies Literature, Musicology, and Cultural Analysis

Abstract

Preface Transliterations Opening statement 1. A brief historical perspective 2. Intervals and scales in contemporary Persian music 3. Musical concepts and terminology 4. Dastgah-e Sur 5. Dastgah-e Abuata 6. Dastgah-e Dasti 7. Dastgah-e Bayat Tork 8. Dastgah-e Afsari 9. Dastgah-e Segah 10. Dastgah-e Cahargah 11. Dastgah-e Homayun 12. Dastgah-e Bayat-e Esfahan 13. Dastgah-e Nava 14. Dastgah-e Mahur 15. Dastgah-e Rast (Rast-Panjgah) 16. Vagrant Guses 17. Compositional forms Closing statement Notes Selected Bibliography Appendix.

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2015Non-Western national music and empire in global history: interactions, uniformities, and comparisons 1995Dance and Non-Dance: Patterned Movement in Iran and Islam 1998The song of the nightingale: Processes of improvisation indastgāh Segāh(Iranian classical music)2012Music, mind and mathematics: theory, reality and formality 1998In search of traces: Linkages of dance and visual and performative expression in the Iranian world 1974Aspects of Form in the Instrumental Performance of the Persian Avaz 2021Convergent evolution in a large cross-cultural database of musical scales 2005Compelling Reasons to Sing: The Music of Taziyeh

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