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Painted Faces on the Renaissance Stage: The Moral Significance of Face-Painting Conventions.
0 references·2 citing·7 second hop
Painted Faces on the Renaissance Stage: The Moral Significance of Face-Painting Conventions. (1996)Painted Faces on the Renaissance Stage: T…Material / Blackness: Race and Its Material Reconstructions on the Seventeenth-Century English Stage (2017)Material / Blackness: Race an…Cosmetic Ontologies, Cosmetic Subversions: Articulating Black Beauty and Humanity in Luis de Góngora’s “En la fiesta del Santísimo Sacramento” (2015)Cosmetic Ontologies, Cosmetic…The Cambridge Edition of the Works of Ben Jonson (1998)Women on the Renaissance stage : Anna of Denmark and female masquing in the Stuart court (1590-1619) (2002)Studies in English Literature 1500–1900 (2025)The Dialogic Imagination. Four Essays by M. M. Bakhtin (1982)Black looks: race and representation (1992)Nuptials Gone Awry, Empire in Decay: Crisis, Lo Cursi, and the Rhetorical Inventory of Blackness in Quevedo's "Boda de negros" (2016)Rabelais and his world (2020)
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  • 2015Cosmetic Ontologies, Cosmetic Subversions: Articulating Black Beauty and Humanity in Luis de Góngora’s “En la fiesta del Santísimo Sacramento”33 cited
  • 2017Material / Blackness: Race and Its Material Reconstructions on the Seventeenth-Century English Stage12 cited

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