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Get on the Mic: Recording Studios as Symbolic Spaces in Rap Music
16 references·1 citing·39 second hop
Get on the Mic: Recording Studios as Symbolic Spaces in Rap Music (2014)Get on the Mic: Recording Studios as Symb…Hip hop underground: the integrity and ethics of racial identification (2010)Hip hop underground: the inte…Tragic Narratives in Popular Culture: Depictions of Homicide in Rap Music1 (2009)Tragic Narratives in Popular …The Software Slump?: Digital Music, the Democratisation of Technology, and the Decline of the Recording Studio Sector within the Musical Economy (2009)The Software Slump?: Digital …Hip Hop Culture (2006)Hip Hop CultureGiving up Hip-Hop's Firstborn: A Quest for the Real after the Death of Sampling (2006)Giving up Hip-Hop's Firstborn…‘Cheaper than a CD, plus we really mean it’: Bay Area underground hip hop tapes as subcultural artefacts (2006)‘Cheaper than a CD, plus we r…Making beats: the art of sample-based hip-hop (2005)Making beats: the art of samp…Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music (2005)Gangstas, Thugs, and Hustlas:…The Production of Culture Perspective (2004)The Production of Culture Per…The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop (2002)The 'Hood Comes First: Race, …The 'Hood Comes First (2002)The 'Hood Comes FirstHip hop: from live performance to mediated narrative (1996)Hip hop: from live performanc…On Record: Rock, Pop and the Written Word (1990)On Record: Rock, Pop and the …A typology of ‘hooks’ in popular records (1987)A typology of ‘hooks’ in popu…The Managed Heart: Commercialization of Human Feeling (1984)The Managed Heart: Commercial…Conventions and the Production of the Popular Music Aesthetic (1982)Conventions and the Productio…Bubble Tea pop: Christine makes Mandopop (2019)Bubble Tea pop: Christine mak…The Discovery of Grounded Theory: Strategies for Qualitative Research. (1968)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)“I Ain't Gonna Let No One Disrespect Me” (2006)The ‘chav’ phenomenon: Consumption, media and the construction of a new underclass (2006)Music Genres and Corporate Cultures (2010)RACE, CODE OF THE STREET, AND VIOLENT DELINQUENCY: A MULTILEVEL INVESTIGATION OF NEIGHBORHOOD STREET CULTURE AND INDIVIDUAL NORMS OF VIOLENCE* (2010)Code and Other Laws of Cyberspace (1999)Clusters and knowledge: local buzz, global pipelines and the process of knowledge creation (2004)Music Scenes to Music Clusters: The Economic Geography of Music in the US, 1970–2000 (2010)A Creative Industry in Transition: The Rise of Digitally Driven Independent Music Production (2012)Cultural Intermediaries in the Digital Age: The Case of Independent Musicians and Managers in Toronto (2013)The Social Construction of Reality (1967)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)Problems in comparative research: The example of omnivorousness (2005)Bourdieu, the media and cultural production (2006)Class Advantage, Commitment Penalty (2016)The Sound of the City: The Rise of Rock and Roll (1971)The Sound of the City: The Rise of Rock and Roll (1972)Patterns of harmony (1992)The Music of Joni Mitchell (2008)Drawing listener attention in popular music: Testing five musical features arising from the theory of attention economy (2017)Club cultures: music, media and subcultural capital (1996)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Understanding sponsorship effects (2001)Doing Gender (1987)Rethinking authenticity in tourism experience (1999)Emotional regulation in the workplace: A new way to conceptualize emotional labor. (2000)Hip-hop Realness and the White Performer (2005)Misogyny in Rap Music (2009)Digital Divide: Navigating the Digital Edge (2011)Empire of Dirt: The Aesthetics and Rituals of British Indie Music (2013)Why Youth Heart Social Network Sites: The Role of Networked Publics in Teenage Social Life (2017)Framing and Reviewing Hip-Hop Educational Research (2009)The Reorganization of the Sensory World (2010)Sounding Race in Rap Songs (2015)Racial Authenticity in Rap Music and Hip Hop (2008)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)Intersectionality's Definitional Dilemmas (2015)
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References

  • 1984The Managed Heart: Commercialization of Human Feeling8,746 cited
  • 1990On Record: Rock, Pop and the Written Word755 cited
  • 2004The Production of Culture Perspective705 cited
  • 2005Making beats: the art of sample-based hip-hop604 cited
  • 2002The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop595 cited
  • 2002The 'Hood Comes First368 cited
  • 2005Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music309 cited
  • 2009The Software Slump?: Digital Music, the Democratisation of Technology, and the Decline of the Recording Studio Sector within the Musical Economy157 cited
  • 2010Hip hop underground: the integrity and ethics of racial identification140 cited
  • 1987A typology of ‘hooks’ in popular records125 cited
  • 2006‘Cheaper than a CD, plus we really mean it’: Bay Area underground hip hop tapes as subcultural artefacts96 cited
  • 1996Hip hop: from live performance to mediated narrative95 cited
  • 2006Giving up Hip-Hop's Firstborn: A Quest for the Real after the Death of Sampling68 cited
  • 2006Hip Hop Culture65 cited
  • 2009Tragic Narratives in Popular Culture: Depictions of Homicide in Rap Music131 cited

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  • 1982Conventions and the Production of the Popular Music Aesthetic29 cited
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    • 2019Bubble Tea pop: Christine makes Mandopop3 cited