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A study of the blue colors used by Telemaco Signorini (1835–1901)
3 references·16 citing·44 second hop
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this work references cited by second hop

References

  • 2011Painting Materials: A Short Encyclopedia381 cited
  • 1943Painting Materials : a Short Encyclopedia155 cited
  • 1996Non-Destructive Spectroscopic Detection of Cobalt(II) in Paintings and Glass106 cited

Cited by

  • 2016New Frontiers in Application of FTIR Microscopy for Characterization of Cultural Heritage Materials60 cited
  • 2024An Introduction and Recent Advances in the Analytical Study of Early Synthetic Dyes and Organic Pigments in Cultural Heritage51 cited
  • 2010Insights into Masolino's wall paintings in Castiglione Olona: Advanced reflectance and fluorescence imaging analysis50 cited
  • 2015Non-invasive identification of traditional red lake pigments in fourteenth to sixteenth centuries paintings through the use of hyperspectral imaging technique50 cited
  • 2018Integrated X-ray fluorescence and diffuse visible-to-near-infrared reflectance scanner for standoff elemental and molecular spectroscopic imaging of paints and works on paper45 cited
  • 2016The Colors of Keith Haring: A Spectroscopic Study on the Materials of the Mural Painting Tuttomondo and on Reference Contemporary Outdoor Paints43 cited
  • 2019Hyperspectral imaging for artworks investigation43 cited
  • 2016Spectral damage model for lighted museum paintings: Oil, acrylic and gouache41 cited
  • 2015Application of non-invasive optical monitoring methodologies to follow and record painting cleaning processes37 cited
  • 2019An insight into the mechanical properties of selected commercial oil and alkyd paint films containing cobalt blue

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37 cited
  • 2011Combined non-destructive XRF and SR-XAS study of archaeological artefacts36 cited
  • 2018Spectral Imaging and Archival Data in AnalysingMadonna of the RabbitPaintings by Manet and Titian35 cited
  • 2015Multidisciplinary approach for the study of an Egyptian coffin (late 22nd/early 25th dynasty): Combining imaging and spectroscopic techniques33 cited
  • 2013Use of Imaging Spectroscopy and in situ Analytical Methods for the Characterization of the Materials and Techniques of 15th Century Illuminated Manuscripts32 cited
  • 2013Scientifically Investigating Picasso's Suspected Use of Ripolin House Paints inStill Life, 1922 andThe Red Armchair, 193129 cited
  • 2020Molecular Fluorescence Imaging Spectroscopy for Mapping Low Concentrations of Red Lake Pigments: Van Gogh's Painting The Olive Orchard28 cited