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Abstract At the end of the eighteenth century, Europe‐wide debates on the nature of man and the practice of interpreting visual artefacts centred on physiognomy, and specifically on one extraordinary, luxuriously illustrated work which claimed to map out how character could precisely be read in the human face: Johann Caspar Lavater's Essays on Physiognomy .
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Stored only when both papers are in the corpus — 15 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.