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Cited by

• 2009The Sound of Light: Reflections on Art History in the Visual Culture of Hip-Hop90 cited
• 2010Composition, Authorship, and Ownership in Flamenco, Past and Present56 cited
• 2008Sonic diaspora, vibrations, and rhythm: thinking through the sounding of the Jamaican dancehall session31 cited
• 2011The aesthetics of Winky D's Zimbabwe urban grooves music and an overview of his social commentary on the post-2000 experiences in Harare and other urban centres29 cited
• 2014Rhythmic Bodies: Amplification, Inflection and Transduction in the Dance Performance Techniques of the “Bashment Gal”17 cited
• 2009Stepping your game up : technical innovation among young people of color in hip-hop15 cited
• 2012It takes a little lawsuit: The flowering garden of Bollywood exoticism in the age of its technological reproducibility14 cited
• 2016Social commentary, subaltern voices and the alternative medium of Zimdancehall music: Unpacking the music of Winky D and Sniper Storm13 cited
• 2013Music cultures of mechanical reproduction11 cited
• 2015Versions, Dubs and Riddims: Dub and the Transient Dynamics of Jamaican Music7 cited
• 2010Reggae open source: how the absence of copyright enabled the emergence of popular music in Jamaica6 cited
• 2020Sampling in der Musikproduktion6 cited
• 2010Los circuitos socio-sónicos del reggaetón