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Plugging and programming: pop radio and record promotion in Britain and the United States
11 references·16 citing·38 second hop
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this work references cited by second hop

References

  • 1972Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems1,345 cited
  • 1991Time Passages: Collective Memory and American Popular Culture.723 cited
  • 1991Time Passages: Collective Memory and American Popular Culture.419 cited
  • 1988Popular Music and Communication.292 cited
  • 1979The Sociology of Rock208 cited
  • 1992Hit Men: Power Brokers and Fast Money inside the Music Business84 cited
  • 1989On the Radio: Music Radio in Britain79 cited
  • 1990Hit men: power brokers and fast money inside the music business76 cited
  • 1990Radio space and industrial time: music formats, local narratives and technological mediation67 cited
  • 1986Programming music: radio as mediator61 cited
  • 2019Rocking America : an insider's story : how the all-hit radio stations took over4 cited

Cited by

  • 2000When Market Information Constitutes Fields: Sensemaking of Markets in the Commercial Music Industry377 cited
  • 2000And the hits just keep on coming: Music programming standardization in commercial radio56 cited
  • 2000Pop music radio in the public service: BBC Radio 1 and new music in the 1990s45 cited
  • 2002“Will This Record Work for Us?”: Managing Music Formats in Commercial Radio

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

44 cited
  • 2008Tough times, meaningful music, mature performers: popular Billboard songs and performer preferences across social and economic conditions in the USA41 cited
  • 2021A “Fresh New Music Mix” for the 1980s: Broadcasting Multiculturalism on Crossover Radio19 cited
  • 2010Smooth jazz: a case study in the relationships between commercial radio formats, audience research and music production16 cited
  • 2011Music Radio and the Record Industry: Songs, Sounds, and Power14 cited
  • 2016Off the Charts: The Implications of Incorporating Streaming Data into the Charts13 cited
  • 2004Consuming pop music/constructing a life world10 cited
  • 2011Turning Values into Revenue: The Markets and the Field of Popular Music in the US, the UK and West Germany (1940s to 1980s)9 cited
  • 2013Programming and editing as alternative logics of music radio production6 cited
  • 2014Performing the self : rappers, urban space and identity in Dar es Salaam5 cited
  • 1998Men, music, and marketing at Q104.3 (WAXQ‐FM New York)14 cited
  • 2012Alan Freed still casts a long shadow: the persistence of payola and the ambiguous value of music4 cited
  • 2007The Beatles image: Mass marketing 1960's British and American music and culture, or being a short thesis on the dubious package of the Beatles2 cited