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Opera in Seventeenth-Century Venice. The Creation of a Genre
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  • 2013Venice: history of the floating city51 cited
  • 2005The seventeenth-century musical ‘work’50 cited
  • 1996Scenes from the life of Silvia Gailarti Manni, a seventeenth-centuryvirtuosa40 cited
  • 1999Tacitus Incognito: Opera as History in "L'incoronazione di Poppea"40 cited
  • 2005Commentary: Why Opera? The Politics of an Emerging Genre33 cited
  • 2005Poppea's Legacy: The Julio-Claudians on the Venetian Stage23 cited
  • 2011Situating opera: period, genre, reception21 cited
  • 1996Mozart's Fiordiligi: Adriana Ferrarese del Bene18 cited
  • 1997Peopling the Stage: Opera, Otherness, and New Musical Representations in the Eighteenth Century12 cited
  • 2017Scholars, Friends, Plagiarists: The Musician as Author in the Seventeenth Century9 cited
  • 1995On the road with the “suitcase aria”: The transmission of borrowed arias in late seventeenth‐century Italian opera revivals8 cited
  • 2000Jacopo Sansovino, Giacomo Torelli, and the Theatricality of the Piazzetta in Venice8 cited
  • 1998Female operatic cross-dressing: Bernardo Saddumene's libretto for Leonardo Vinci's Li zite 'n galera (1722)7 cited
  • 1996Acquiring Musicians and Instruments in the Early Baroque: Observations from Mantua

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7 cited
  • 2012Voices and singers6 cited
  • 2014‘All that Glisters’: Orpheus’s Failure as an Orator and the Academic Philosophy of theAccademia degli Invaghiti5 cited