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Music of death and new creation: experiences in the world of Balinese gamelan beleganjur
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  • 2012The Individual in Musical Ethnography62 cited
  • 2006Musical Structure, Performance and Meaning: The Case of a Stick-Dance from Nepal55 cited
  • 2001Culture, Tourism and Cultural Tourism: Boundaries and frontiers in performances of Balinese music and dance52 cited
  • 2009No Pain, No Gain? Motivation and Self-Regulation in Music Learning39 cited
  • 2010Agency, Leadership, and Gender Negotiation in Balinese Girls’ Gamelans34 cited
  • 2020The Cambridge Companion to Rhythm33 cited
  • 2015“Don’t Go Changing to Try and Please Me”: Combating Essentialism through Ethnography in the Ethnomusicology of Autism31 cited
  • 2010Performing in the Shadows: Learning and Making Music as Ethnomusicological Practice and Theory31 cited
  • 2016In the beginning was the beat29 cited
  • 2014The Musicality of Stimming: Promoting Neurodiversity in the Ethnomusicology of Autism29 cited
  • 2006Holicipation: Prolegomenon to an Ethnography of Solitary Music-Making27 cited
  • 2005Teletubbies in Paradise: Tourism, Indonesianisation and Modernisation in Balinese Music

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23 cited
  • 2001Reflections on music and meaning: Metaphor, signification and control in the Bulgarian case23 cited
  • 2010Daughters of Tradition, Mothers of Invention: Music, Teaching, and Gender in Evolving Contexts20 cited