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The detection of copper resinate pigment in works of art: contribution from Raman spectroscopy
16 references·9 citing·36 second hop
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References

  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2000Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art376 cited
  • 2003The Characterization of Metal Soaps249 cited
  • 2002Ageing behaviour and pyrolytic characterisation of diterpenic resins used as art materials: colophony and Venice turpentine126 cited
  • 2010A joint use of Raman and infrared spectroscopies for the identification of natural organic media used in ancient varnishes121 cited
  • 2003A New Methodology for Accelerated Corrosion Testing110 cited
  • 1996Fourier-transform Raman spectroscopic study of natural waxes and resins. I108 cited
  • 2005Analytical characterization of diterpenoid resins present in pictorial varnishes using pyrolysis–gas chromatography–mass spectrometry with on line trimethylsilylation105 cited
  • 1996Fourier transform infrared spectroscopy and the analytical study of works of art for purposes of diagnosis and conservation104 cited
  • 2007Fourier transform infrared spectroscopy as a suitable technique in the study of the materials used in waterproofing of archaeological amphorae96 cited
  • 2002An extensive non‐destructive and micro‐spectroscopic study of two post‐Byzantine overpainted icons of the 16th century89 cited
  • 2003Analysis of green copper pigments in illuminated manuscripts by micro-Raman spectroscopy79 cited
  • 2002Chemical Reactions Between Copper Pigments and Oleoresinous Media

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74 cited
  • 2003Raman microscopy of Greek icons: identification of unusual pigments70 cited
  • 2010Verdigris pigment: a mixture of compounds. Input from Raman spectroscopy65 cited
  • 2012Micro‐Raman spectroscopic analysis of inks and pigments in illuminated medieval old‐Slavonic manuscripts62 cited
  • Cited by

    • 2014Spectroscopic analysis of pigments and inks in manuscripts: II. Islamic illuminated manuscripts (16th–18th century)33 cited
    • 2014Applications of Raman spectroscopy in art and archaeology30 cited
    • 2020Identification of green pigments and binders in late medieval painted wings from Norwegian churches21 cited
    • 2025Advanced X-ray techniques to study the alteration of pigments in paintings17 cited
    • 2014Pigment analysis of Portuguese portrait miniatures of 17th and 18th centuries by Raman Microscopy and SEM‐EDS17 cited
    • 2017Close to the diffraction limit in high resolution ATR FTIR mapping: demonstration on micrometric multi-layered art systems17 cited
    • 2020Tracing the Alteration of Verdigris Pigment through Combined Raman Spectroscopy and X-ray Diffraction, Part I14 cited
    • 2024Copper Soaps Formation in Verdigris–Linseed Oil Painting Mixtures: A Multispectroscopic Characterization10 cited
    • 2016Automatic classification system of Raman spectra applied to pigments analysis10 cited